Memory of Mankind: All of Human Knowledge Buried in a Salt Mine - The Atlantic

Like cuneiform crossed with the Long Now Foundation’s Rosetta Project.

He will laser-print a microscopic font onto 1-mm-thick ceramic sheets, encased in wafer-thin layers of glass. One 20 cm piece of this microfilm can store 5 million characters; whole libraries of information—readable with a 10x-magnifying lens—could be slotted next to each other and hardly take up any space.

Memory of Mankind: All of Human Knowledge Buried in a Salt Mine - The Atlantic

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Century-Scale Storage

This magnificent piece by Maxwell Neely-Cohen—with some tasteful art-direction—is right up my alley!

This piece looks at a single question. If you, right now, had the goal of digitally storing something for 100 years, how should you even begin to think about making that happen? How should the bits in your stewardship be stored with such a target in mind? How do our methods and platforms look when considered under the harsh unknowns of a century? There are plenty of worthy related subjects and discourses that this piece does not touch at all. This is not a piece about the sheer volume of data we are creating each day, and how we might store all of it. Nor is it a piece about the extremely tough curatorial process of deciding what is and isn’t worth preserving and storing. It is about longevity, about the potential methods of preserving what we make for future generations, about how we make bits endure. If you had to store something for 100 years, how would you do it? That’s it.

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The race to save our online lives from a digital dark age | MIT Technology Review

For many archivists, alarm bells are ringing. Across the world, they are scraping up defunct websites or at-risk data collections to save as much of our digital lives as possible. Others are working on ways to store that data in formats that will last hundreds, perhaps even thousands, of years.

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404 Page Not Found | Kate Wagner

Considering the average website is less than ten years old, that old warning from your parents that says to “be careful what you post online because it’ll be there forever” is like the story your dad told you about chocolate milk coming from brown cows, a well-meant farce. On the contrary, librarians and archivists have implored us for years to be wary of the impermanence of digital media; when a website, especially one that invites mass participation, goes offline or executes a huge dump of its data and resources, it’s as if a smallish Library of Alexandria has been burned to the ground. Except unlike the burning of such a library, when a website folds, the ensuing commentary from tech blogs asks only why the company folded, or why a startup wasn’t profitable. Ignored is the scope and species of the lost material, or what it might have meant to the scant few who are left to salvage the digital wreck.

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Safeguarding music | Global Music Vault | Svalbard

This sounds like an interesting long-term storage project, but colour me extremely sceptical of their hand-wavey vagueness around their supposedly flawless technical solution:

This technology will be revealed to the world in the near future.

Also, they keep hyping up the Svalbard location as though it were purpose-built for this project, rather than the global seed bank (which they don’t even mention).

This might be a good way to do marketing, but it’s a shitty way to go about digital preservation.

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Reflections as the Internet Archive turns 25

Brewster Kahle:

The World Wide Web at its best is a mechanism for people to share what they know, almost always for free, and to find one’s community no matter where you are in the world.

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