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Indian (Mughal) jambiya dagger, 18th century, kundan work (gems set with gold foil), steel, rock crystal, gold, silver, rubies, diamonds, emeralds, textile, wood, L. 15 3/4 in. (40.01 cm), Bequest of George C. Stone, 1935, Met Museum.
This stunning painting-style depiction of the coronation of Suleiman the Magnificent in 1520 captures the grandeur of the Ottoman Empire. The intricate architectural details of the ceremonial hall, filled with dignitaries and courtiers, evoke the power and prestige of one of history’s most celebrated rulers. Suleiman’s reign marked the pinnacle of the Ottoman Empire’s political, military, and cultural influence, and this image brings that pivotal moment to life. Perfect for history...
Indian (Mughal) jambiya dagger, hilt detail, 18th century, kundan work (gems set with gold foil), rock crystal, gold, silver, rubies, diamonds, emeralds, textile, wood, L. 15 3/4 in. (40.01 cm), Bequest of George C. Stone, 1935, Met Museum.
Inscription: Damascened in gold on the blade, in Ottoman Turkish: "I asked for water from your dagger-wielder if you would drink but one it will run (appear) from your side;" in Persian: "If I thirst his dagger is not laid down (does not descend) by my bloody desire no water will pass through this throat
Indian katar, 18th century, with gold hilt and scabbard, set with rubies, emeralds, and diamonds, detail view of the scabbard. This katar comes from Hyderabad in the Deccan, which was allied with the British against Tipu Sultan from Mysore. The dagger is said to have belonged to Tipu Sultan himself. The “Tiger from Mysore” was a formidable opponent of the British until he was killed in the defense of his capital of Seringapatam in 1799.
