Timothy Moraitis

Timothy Moraitis

Boise, Idaho, United States
572 followers 500+ connections

About

Design leader who empowers the strengths of the team with consensus building…

Activity

Experience

  • Tim Moraitis Design Graphic
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    Monroe, Louisiana, United States

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    Portland, Oregon Metropolitan Area

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    Burbank, California, United States

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    Culver City, California, United States

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    Los Angeles Metropolitan Area

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    El Segundo, California, United States

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    Chicago and Los Angeles

Education

  • ArtCenter College of Design Graphic

    Art Center College of Design

    3.5

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    Activities and Societies: • Fresh Eyes Berlin transdisciplinary studio abroad team member. Work included the exhibit concept development, exhibit graphics, Fresh Eyes Berlin Web site and photo documentation. • Teaching assistant in Doyald Young’s lettering class for the Summer 2007 term • AIGA student group board member serving as programming chair from the Fall 2005 term to the Summer 2007 term

    Projects combined research and visual thinking to inform the design process and develop work unique to the content. Special emphasis on exhibit design and lettering.

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Licenses & Certifications

Projects

  • 344 Questions

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    In the spring of 2011 Stefan asked me to assist him with a book project called, 344 Questions: The Creative Person’s Do-It-Yourself Guide to Insight, Survival, and Artistic Fulfillment. The intent was to capture the uniquely creative style of Stefan’s Ink and Circumstances articles for use in a book format. Stefan really wanted the layout to invite the reader to write their answers and thoughts to the questions in the book. Providing ample white areas allows the reader to finish the layout with…

    In the spring of 2011 Stefan asked me to assist him with a book project called, 344 Questions: The Creative Person’s Do-It-Yourself Guide to Insight, Survival, and Artistic Fulfillment. The intent was to capture the uniquely creative style of Stefan’s Ink and Circumstances articles for use in a book format. Stefan really wanted the layout to invite the reader to write their answers and thoughts to the questions in the book. Providing ample white areas allows the reader to finish the layout with their own drawings and musings. The moleskin inspired size and flexibound cover allow the book to go with the reader in their pocket and lays flat to jot things down.

    The book features four fonts made with Stefan’s handwriting plus two display fonts with gradient fills customized to each spread. I worked with the two display fonts as image files to typeset the names of each contributor. We also worked on various updates to the handwritten text font to modify and kern the letters for better legibility. With each page requiring illustrated boxes, arrows and compositional elements, Stefan drew all 142 pages on tissue paper. The files were prepared so they could be quickly customized to be uniquely suited to the content on each spread.

    Other creators
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