Contents (view Concise Listing)

• A Hard-On for Horror: Low Budget Excitement • (1992) • essay by Joe R. Lansdale
• Introduction: First Cut • (1992) • essay by Christopher Golden
• Other Shelves, Other Shadows • (1992) • essay by Peter Atkins and Clive Barker
• Higher Ground: Moral Transgressions, Transcendent Fantasies • (1992) • essay by Stephen R. Bissette
• No, But I Saw the Movie • (1992) • essay by Gary Brandner
• The Quality of Terror • (1992) • essay by Ramsey Campbell
• The Place of Dreams • (1992) • essay by Nancy A. Collins
• A User's Guide to Hollywood Horror • (1992) • essay by John Farris and Kelley Wilde
• Blood and Laughter: The Humor in Horror Film • (1992) • essay by Craig Shaw Gardner
• On Kids and Cat People • (1992) • essay by Ray Garton
• Several Hundred Words About Wes Craven • (1992) • essay by Ed Gorman
• Black-and-White, in Color • (1992) • essay by Charles L. Grant
• Love Kills: Another Look at Fatal Attraction • (1992) • essay by Melissa Mia Hall
• The Horrors of Hammer: The House That Blood Built • (1992) • essay by T. Liam McDonald
• A Double Feature and a Cartoon for 35 Cents • (1992) • essay by Thomas F. Monteleone
• The Exploding Family • (1992) • essay by Philip Nutman
• You Are What You Eat/Watch: Cannibalism in Movies • (1992) • essay by Kathryn Ptacek
• Angel Heart: The Journey to Self as the Ultimate Horror • (1992) • essay by Katherine Ramsland
• The Art of Horror in Film • (1992) • essay by Anne Rice
• The Salacious Gaze: Sex, the Erotic Trilogy and the Decline of David Lynch • (1992) • essay by Paul M. Sammon
• Death's Rich Pageantry • (1992) • essay by John Skipp and Craig Spector
• Disturbo 13: The Most Disturbing Horror Films Ever Made • (1992) • essay by Stanley Wiater
• Opera of Violence: The Films of Dario Argento • (1992) • essay by Douglas E. Winter
• On Freaks • (1992) • essay by Chelsea Quinn Yarbro
• Why The Haunting Is So Damn Scary • essay by Nancy Holder