Contents (view Concise Listing)

• 7 •
  Das Hügelgrab auf der Landzunge^?Das Huegelgrab auf der Landzunge
  • short story by Robert E. Howard (trans. of The Cairn on the Headland 1933)
• 34 • Casonettos letztes Lied • short story by Robert E. Howard (trans. of Casonetto's Last Song 1973)
• 39 • Dermods Verderben • short story by Robert E. Howard (trans. of Dermod's Bane 1967)
• 46 • Das Tal der Verlorenen • novelette by Robert E. Howard (trans. of The Secret of Lost Valley 1967)
• 74 • Der Mann auf dem Boden • short story by Robert E. Howard (trans. of The Man on the Ground 1933)
• 82 • Das Herz des alten Garfield • short story by Robert E. Howard (trans. of Old Garfield's Heart 1933)
• 96 • Kelly, der Zaubermann • essay by Robert E. Howard
• 101 • Tote erinnern sich • short story by Robert E. Howard (trans. of The Dead Remember 1936)
• 112 • Schemen im Dunkel • short story by Robert E. Howard (trans. of Spectres in the Dark 1985)
• 129 •
  Der Fluch des goldenen Schädels^?Der Fluch des goldenen Schaedels
  • [Kull of Valusia] • short story by Robert E. Howard (trans. of The Curse of the Golden Skull 1967)
• 134 •
  Das Schädelgesicht^?Das Schaedelgesicht
  • novella by Robert E. Howard (trans. of Skull-Face 1929)
• 255 • Die rechte Hand der Verdammnis • [Solomon Kane] • short story by Robert E. Howard (trans. of The Right Hand of Doom 1968)
• 262 •
  Schädel inmitten der Sterne^?Schaedel inmitten der Sterne
  • [Solomon Kane] • short story by Robert E. Howard (trans. of Skulls in the Stars 1929)
• 277 • Schritte im Grabmal • [Solomon Kane] • short story by Robert E. Howard (trans. of The Footfalls Within 1931)
• 297 • Die Berge der Toten • [Solomon Kane] • novelette by Robert E. Howard (trans. of The Hills of the Dead 1930)
• 323 • Klappernde Knochen • [Solomon Kane] • short story by Robert E. Howard (trans. of Rattle of Bones 1929)
• 333 • In Memoriam: Robert Ervin Howard • essay by H. P. Lovecraft (trans. of In Memoriam: Robert Ervin Howard 1936)
• 339 •
  Dunkle Träume aus Texas^?Dunkle Traeume aus Texas
  • essay by Christian Endres