Contents (view Concise Listing)

• 4 • Words from the Editor (Cemetery Dance #64) • [Editorial (Cemetery Dance)] • essay by Richard Chizmar
• 7 • Bentley Little: A Passion for Horror • interview of Bentley Little • interview by David B. Silva
• 12 • The Wheel • short story by Bentley Little
• 12 •  The Wheel • interior artwork by Erin S. Wells
• 18 • We • short story by Bentley Little
• 18 •  We • interior artwork by Keith Minnion
• 25 • The Indispensable Bentley Little • essay by Mark Sieber
• 25 •   Review: The Revelation by Bentley Little • review by Mark Sieber
• 25 •   Review: The Mailman by Bentley Little • review by Mark Sieber
• 25 •   Review: Death Instinct by Bentley Little • review by Mark Sieber
• 25 •   Review: The Summoning by Bentley Little • review by Mark Sieber
• 25 •   Review: Dominion by Bentley Little • review by Mark Sieber
• 25 •   Review: The Store by Bentley Little • review by Mark Sieber
• 26 •   Review: The Ignored by Bentley Little • review by Mark Sieber
• 26 •   Review: The Town by Bentley Little • review by Mark Sieber
• 26 •   Review: The Collection by Bentley Little • review by Mark Sieber
• 26 •   Review: The Resort by Bentley Little • review by Mark Sieber
• 26 •   Review: Dispatch by Bentley Little • review by Mark Sieber
• 26 •   Review: His Father's Son by Bentley Little • review by Mark Sieber
• 28 • Little Stories, Large Shadows: The Short Fiction of Bentley Little • essay by Steve Vernon
• 30 •   Review: His Father's Son by Bentley Little • review by Kealan Patrick Burke
• 32 • An Excerpt from Blockade Billy • short story by Stephen King
• 32 •  An Excerpt from Blockade Billy • interior artwork by Alex McVey
• 36 • The Innocents at the Museum of Antiquities (Part 3 of 3) • serial by Douglas Clegg
• 36 •  The Innocents at the Museum of Antiquities (Part 3 of 3) • interior artwork by Glenn Chadbourne
• 50 • From the Dead Zone: Stephen King News (Cemetery Dance #64) • [From the Dead Zone] • essay by Bev Vincent
• 55 • Editorial Perspectives: Polishing and Perfecting • essay by Don D'Auria
• 58 • Out of Touch • (2006) • short story by Simon Strantzas
• 58 •  Out of Touch • interior artwork by Zach McCain
• 64 • Nobody'll Notice, or: The Real Reason You're Supposed to Tell Yourself "It's Only a Movie" • [The Mothers and Fathers Italian Association] • essay by Thomas F. Monteleone
• 69 • Fine Points: The Care and Feeding of Dead People • [Fine Points] • essay by Ed Gorman
• 69 •   Review: The Collection by Bentley Little • review by Ed Gorman
• 72 • The Long Black Coat • short story by Benjamin Percy
• 72 •  The Long Black Coat • interior artwork by David Grilla
• 78 • Drawing on Your Nightmares (Cemetery Dance #64) • essay by Scott Allie
• 81 • A Conversation with Brian James Freeman • interview of Brian James Freeman • interview by Norman Prentiss
• 84 • An Excerpt from The Painted Darkness • short story by Brian James Freeman
• 84 •  An Excerpt from The Painted Darkness • interior artwork by Jill Bauman
• 86 • Mediadrome (Cemetery Dance #64) • [MediaDrome] • essay by Michael Marano
• 91 • Spotlight on Publishing (Cemetery Dance #64) • [Spotlight on Publishing] • essay by Robert Morrish
• 92 •   Review: It Lives Again!: Horror Movies in the New Millennium by Axelle Carolyn • review by Robert Morrish
• 93 •   Review: Remains by Michael McBride • review by Robert Morrish
• 93 •   Review: Empties by George Zebrowski • review by Robert Morrish
• 93 •   Review: The Lucid Dreaming by Lisa Morton • review by Robert Morrish
• 94 •   Review: Dark Entities by David Dunwoody • review by Robert Morrish
• 94 •   Review: Scattered Ashes by Scott Nicholson • review by Robert Morrish
• 96 • In Darkness • short story by Shaun Jeffrey
• 96 •  In Darkness • interior artwork by Chris Hill
• 101 • The Last Ten Books I've Read (Cemetery Dance #64) • [The Last Ten Books I've Read] • essay by Ellen Datlow
• 101 •   Review: The City & The City by
  China Miéville^?China Mieville
  • review by Ellen Datlow
• 101 •   Review: Dark Places by Gillian Flynn • review by Ellen Datlow
• 101 •   Review: Johannes Cabal the Necromancer by Jonathan L. Howard • review by Ellen Datlow
• 101 •   Review: The Forest of Hands and Teeth by Carrie Ryan • review by Ellen Datlow
• 101 •   Review: Bad Things by Michael Marshall • review by Ellen Datlow
• 102 •   Review: Slights by Kaaron Warren • review by Ellen Datlow
• 102 •   Review: The Witnesses Are Gone by Joel Lane • review by Ellen Datlow
• 102 •   Review: The Little Stranger by Sarah Waters • review by Ellen Datlow
• 102 •   Review: It's Beginning to Look a Lot Like Zombies!: A Book of Zombie Christmas Carols by Michael P. Spradlin • review by Ellen Datlow
• 102 • Review: Dracula (Pop-Up Edition) by Bram Stoker and David Hawcock and Anthony Williams and Claire Brompton • essay by Ellen Datlow
• 104 • The New Dead: A Feature Look • essay by Brian James Freeman
• 109 • New Voices: Brian Knight • interview of Brian Knight • interview by Steve Vernon
• 112 • Deathbed • short story by Brian Knight
• 112 •  Deathbed • interior artwork by Keith Minnion
• 120 • Horror in Comics • essay by Wayne Edwards
• 123 • A Few Words with Paul Mackman • interview of Paul Mackman • interview by Brian James Freeman
• 126 • Horror Drive-In: Digital Drag • [Horror Drive-In] • essay by Mark Sieber
• 128 • Cemetery Dance Reviews (Cemetery Dance #64) • essay by various
• 128 •   Review: The Bone Factory by Nate Kenyon • review by T. T. Zuma
• 128 •   Review: By the Sword by F. Paul Wilson • review by T. T. Zuma
• 129 •   Review: Far Dark Fields by Gary A. Braunbeck • review by David Simms
• 129 •   Review: The Gray Zone by John R. Little • review by Mark Justice
• 130 •   Review: This Ghosting Tide by Simon Clark • review by T. T. Zuma
• 130 •   Review: The Golem by Edward Lee • review by Jeff Edwards
• 131 •   Review: Horns by Joe Hill • review by David Simms [as by Dave Simms]
• 131 •   Review: Midnight Walk by Lisa Morton • review by David Simms [as by Dave Simms]
• 132 •   Review: Morbid Curiosity Cures the Blues: True Stories of the Unsavory, Unwise, Unorthodox and Unusual from the Magazine Morbid Curiosity by Loren Rhoads • review by David Simms
• 132 •   Review: Primitive by J. F. Gonzalez • review by T. T. Zuma
• 132 •   Review: The Revenant Road by Michael Boatman • review by Mark Justice
• 133 •   Review: Sense and Sensibility and Sea Monsters by Jane Austen and Ben H. Winters • review by David Simms [as by Dave Simms]
• 133 •   Review: Shadow Season by Tom Piccirilli • review by T. T. Zuma
• 134 •   Review: The Space Between by Erik Tomblin • review by Daniel Reilly
• 134 •   Review: Trolley No. 1852 by Edward Lee • review by Mark Justice
• 136 • The Final Question (Cemetery Dance #64) • [The Final Question] • essay by Brian James Freeman