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dsolomon-9

Joined Feb 2006
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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dsolomon-9's rating
Mahiha ashegh mishavand

Mahiha ashegh mishavand

6.9
8
  • Oct 31, 2007
  • Film review of Fish Fall in Love

    ...Fish Fall in Love is Iranian theater director Ali Raffi'i's first feature about two lovers being reunited after a twenty-year separation, and a new generation of about-to-be lovers, about to be separated.

    Ex-political prisoner and Iranian émigré Aziz returns to his home at a Caspian Sea coastal village, where he finds that his former beloved Atieh, her daughter and two sisters have appropriated his family home and turned it into a restaurant. The film is shot like an old postcard from your grandparents' seaside holiday, complete with long images of regional specialties. In this film, no dish leaves the kitchen without making a cameo. Can you imagine jeweled rice doing the red-carpet walk at Cannes?...

    http://www.culiblog.org/2006/02/when-fish-fall-in-love/ where there are more food-related film reviews
    Drawing Restraint 9

    Drawing Restraint 9

    6.5
    9
  • Oct 31, 2007
  • A film review of Drawing Restraint 9

    37 Uses for a Dead Sheep

    37 Uses for a Dead Sheep

    7.2
    10
  • Oct 31, 2007
  • film review of 37 Uses for a Dead Sheep

    As far as I'm concerned, you really can't go wrong with a film about yurts, yogurt, nomadic tribes and the shifting borders of the 'Stans' in Central Asia. I put my pants on one leg at a time.

    37 Uses, is not so much Hopkins' film but a collaborative work, made with the Pamir Kirghiz tribe, a splendid historical document. The film begins in the 19th c. with the Super Powers divvying up Central Asia, a region that since the inventions of salt, silk, and opium remains one of the hottest properties on earth. We watch as beautiful nostalgic footage is fabricated through the tribe's reenactment, aided by the expert Kirghiz art direction of Muhammet Ekber Kutlu, son of the last Kirghizian khan, Rahman Qul.

    In case you weren't paying attention during Central Asian History, the Pamir Mountains are the North Westernmost range of the Greater Himalaya, but are the feather in the cap of what is now known as 'the Stans'. Pakistan, Afghanistan, Turkmenistan, Uzbekistan, Tadjikistan, Kirghizstan and Kazachstan. Did I forget anyone? It's all about where you think the center of the world is situated, and that is what has been keeping the Kirghizians on the move, beyond their home turf pastures. The Pamir Kirghiz, no strangers to hardship inflicted by Super Powers, have (partially) avoided ethnic cleansing by doing what they do best, being nomadic.

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