LeiChing
Joined Mar 2006
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Reviews8
LeiChing's rating
Comic based reference, author Lau Wankit First copy printed 1988, by CitiComics Cameo, Lau Ying Kit 2013
Heavily biased romantic prophecy deployed by the psychiatric services with subject control at academic institutions based on loosely distinguished characters that are set on counter egos with picturesque delusions. Economic mess need discipline across academic, business, social and family situations.
The comic novels of Hong Kong had little censorship for children and teenagers. Youth literature was influenced by citi and witi comics, chaired with Ae Hong, cross influenced by the popular music industry with his girlfriend, later wife, Vivian Chow, on the front cover of Yes Magazine.
Vivian Chow had long black hair and might have been the spin-off celebrity from the comic's focal, Cherie (勵懲), spun from the confectionery manufactured by the Ferrero brand, now withheld from the Hong Kong market. The magazine contained delusive psychological tests that limited the teenagers' normal sense of friendship and companionship.
The ethical problems risen from the distribution with regards to local and international youth were:
1. The copies were available to purchase by young children not even teenagers despite the adult rated content that ought be outlawed
2. The commercial media and product spin-offs became propaganda to local youths with little choice different from the surround news stations and broadcasts
3. The psychiatric profession had abused policy limiting youths from otherwise knowledgeable attainment
4. The fantasies of the authorised team had unfair advantage commercially secluding trial figures without formal consent to complete the series, linguistically pressurising the plaintiffs to enactment with lateral policy
5. The etymological coining of psychiatric definitions to be contrasted with criminology and sociology
6. Children were raised not with normal regular non-reference and other out of context preoccupations
7. There is a normal aversion from the familiarity of characters that means the philosophy refuted on unethical grounds.
8. The censorship in Hong Kong should discern and discipline the doctrine that the community suffers from across academic, business, social and family situations where seen.
Heavily biased romantic prophecy deployed by the psychiatric services with subject control at academic institutions based on loosely distinguished characters that are set on counter egos with picturesque delusions. Economic mess need discipline across academic, business, social and family situations.
The comic novels of Hong Kong had little censorship for children and teenagers. Youth literature was influenced by citi and witi comics, chaired with Ae Hong, cross influenced by the popular music industry with his girlfriend, later wife, Vivian Chow, on the front cover of Yes Magazine.
Vivian Chow had long black hair and might have been the spin-off celebrity from the comic's focal, Cherie (勵懲), spun from the confectionery manufactured by the Ferrero brand, now withheld from the Hong Kong market. The magazine contained delusive psychological tests that limited the teenagers' normal sense of friendship and companionship.
The ethical problems risen from the distribution with regards to local and international youth were:
1. The copies were available to purchase by young children not even teenagers despite the adult rated content that ought be outlawed
2. The commercial media and product spin-offs became propaganda to local youths with little choice different from the surround news stations and broadcasts
3. The psychiatric profession had abused policy limiting youths from otherwise knowledgeable attainment
4. The fantasies of the authorised team had unfair advantage commercially secluding trial figures without formal consent to complete the series, linguistically pressurising the plaintiffs to enactment with lateral policy
5. The etymological coining of psychiatric definitions to be contrasted with criminology and sociology
6. Children were raised not with normal regular non-reference and other out of context preoccupations
7. There is a normal aversion from the familiarity of characters that means the philosophy refuted on unethical grounds.
8. The censorship in Hong Kong should discern and discipline the doctrine that the community suffers from across academic, business, social and family situations where seen.
Film starts with woman asking man about a past that she did not have to know, and a dubious right to discuss with the man's friends. So you end up watching the film and feeling sorry for the guy strung along by his mates. If they had a future, then the discretion of his past was down to those who took part in it, pregnancies or not? The film became a pandora's box forced open without control of his own time, nor the audience's. When relationships break, 'second chances' are from those future encounters with different sets of preferences and scenarios not shared with everyone. There might have been reasons for those in 'the past' to choose not to share time further, and it was for the 'three of them' to respect that, yet - it's a small world for crossing paths.
One of many films that ought be on censorship.
About woman's thinking and private space and lawyers that overstep their duties.
Of the many commentators on Bridget's life in the film, most were capable of performing their psychological commands on themselves.
If the theme of the film is 'it is normal for people to get married and have children', the persuaders has not yet led by example.
No wonder Bridget lives alone.
The only space she has to be the authority of her own life was destroyed by readers she did not permit to see her records, except if she did happen to die in the apartment, then became mauled by dogs which will be difficult to tame thereafter.
Irony between choosing man or dog as best friend and whether she can fend off either in a fight.
A woman's worst enemy are not the men before, but the approaching man and what he had discussed with the men before.
About woman's thinking and private space and lawyers that overstep their duties.
Of the many commentators on Bridget's life in the film, most were capable of performing their psychological commands on themselves.
If the theme of the film is 'it is normal for people to get married and have children', the persuaders has not yet led by example.
No wonder Bridget lives alone.
The only space she has to be the authority of her own life was destroyed by readers she did not permit to see her records, except if she did happen to die in the apartment, then became mauled by dogs which will be difficult to tame thereafter.
Irony between choosing man or dog as best friend and whether she can fend off either in a fight.
A woman's worst enemy are not the men before, but the approaching man and what he had discussed with the men before.