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Megalopolis is a visual spectacle that delivers a powerful globalist message, intertwining the Green Movement with themes of transhumanism as a leap into the unknown, portraying it as an ultimate act of freedom. The film's use of heavy symbolism glorifies this perspective, while twisting traditional archetypes to offer a 180-degree reinterpretation. The narrative subtly manipulates viewers to sympathize with a globalist moral high ground, presenting traditional societal evolution as outdated. Its cinematic ambition and layered allegories make it a provocative reflection on a Yuval Noah Harari future of humanity.

Despite what the ideologues out there try hard to push, the movie has a very balanced perspective on race and and objective look at history. Each side of the coin expected the movie to support their narrative and when that didn't happen, they slammed the movie with a low score.

Also, the videography is stunning and the actors performance stelar! Viola Davis give an Oscar-level performance, pivoting brilliantly from portraying a strong woman that carries the destiny of the whole continent on her shoulders to displaying the weakness and sensitive side of a woman with a troubled childhood.

Do not fall for the propaganda on either side, just watch the movie and decide for yourself. You will not regret it.

I was pleasantly surprised to identify clear and bright gold veins of Guenonian Traditionalism in the narrative of this great movie. The spiritual connection to the esoteric truth of the primordial tradition will most probably slide by ignored by the movie watchers, yet those accustomed with Seyyed Hossein Nasr, Rene Guenon and Frithjof Schuon will recognize and savor the deeper level of interpretation presented to the public through this visual masterpiece. The rational-driven minds of today will have a hard time understanding the role of the scene where rational, scientific knowledge, no matter how vast, is not enough to crack open the mysteries of the universe, and only rising up to the superior level of intuitive knowledge obtained through inspiration and revelation a human being can hope to aspire at grasping the whole truth. Escaped in today's world, the genie experiences anything but freedom, a wonderful depiction of the end of Kali Yuga, the current cycle, where spirituality finds less and less a place, drowned by the avalanche of communication, messages, unfiltered ideas and destructive ideologies. As such, spirituality, aka the genie, is forced, after almost being completely destroyed, to escape the crazy world and return now and then to touch base only with those who are ready, willing and able to perceive him.

The movie is a marvelous artistic depiction of fundamental spiritual concepts that will leave some cold and indifferent while enchanting the initiated in the spiritual paths of the primordial tradition.