roposapa

When the subtle and the sophisticated are in balance, the result is this series, which far from being complex and inorganic, stands out for the precision in detail that makes it beautiful, fun and stripped. The dialogues are exquisite as well as the silences and Luis Brandoni is all that is good, he is the Anton Ego from Rio de la Plata. Robert de Niro's participation aims to give the product a certain status, do you need it? No; does it make sense? Yes. He highlighted the duo of the protagonist and the Paraguayan employee, a very real encounter of two worlds that take the best of each other. Real that I am hungry for more, there are few times that you see on the screen the combination of a good script, excellent performance, beautiful photography and art, good shots ... The combination of ALL this and more, makes NOTHING a work of art where the pretentious and the simple merge creating a microclimate of which you are part in the 31' that lasts each episode. Directors Duprat and Cohn are a duo that has already been giving us good substance, with a sharp style that I intuit aims to become a cult.

The feeling of watching a series in which to bet on a popular figure like Lali, means saving the product. That already dries it for me. Production is valued but it is nothing more than a story of an intellectual arrogant who believes that having left the Orthodox Jewish community makes her someone special. An outsider, who wants to be in a permanent rush because she thinks that makes her someone deep. Not to mention that the attitude of the protagonist and her entire progressive and feminist world is at least a boring cliché, there is an overeffort to be "cool" a character too unorganic and Lali manages to give it a certain naturalness but it is not enough. Outstanding cast, especially you will see Spinetta and Llinas. Otherwise, it's the story of a narcissist who was dying to tell it. Very basic.