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RITA Synopsis by George Kun "Rita" is a contemporary provocative and clever Danish TV series, in 24 episodes over three seasons, offering countless laughs, chuckles, and surprises. In fact, it is about the journey of a spectacular and magic woman's ass, with such a seductive power that it gets constantly bulging eyes, dropping jaws, sweaty necks, pulsing breath, abundant salivation and mental distraction. On top of that, the mesmerized watchers following the provocatively moving and swaying miracle will also get to see the daylight through a tiny crack created by the combination of superbly shaped upper thighs and tight fitting jeans. True model "fare". The target audience receptive to these charms is mostly lustful men, envious women and even children who can easily and naturally identify things that have eye-pleasing aesthetics. This physical attribute does not simply float alone in the air, but is cleverly grafted on a real woman, who has plenty of other great attributes as well, even though her relationships, achievements, career moves, romances, victories, and setbacks revolve mainly around her main asset, her behind. In all fairness, substantial credit is due to her other charming bodily possessions like her shaggy, bouncing, shoulder length ash-blonde hair and her eyes. Rita's eyes are not simply just beautiful but have a personality and a powerful message communication power, as well. She can look at you intensely and deeply, to evaluate if are worthy to fulfill her strong sexual impulse. Her gaze can be equally deadly in deciding how to verbally paralyze and annihilate you if you were stupid enough to challenge or insult her. Rita's eyes can also look at you and expertly inspect your soul and brain to fully understand how can she help you if she finds you are troubled. She certainly has the talent and the brains to do just that. Rita is a Junior School teacher, in a very challenging environment, with a host of truly difficult challenges. From cultural and social integration of immigrant and refugee kids, to working with a helpless, clueless and at times immoral teaching staff, some backward and ignorant parents, promiscuous or messy sexual encounters with colleagues and even the father of a student, experimenting with homosexuality and finding the right way to come out of the closet at a very young age, the series has it all. The use of the school's washrooms, offices, and classrooms, or a backseat of a car used for spontaneous erotic romps, is at times shocking, but so much part or Rita's flawed but charming and definitely positive personality If you are expecting a light soap opera with simple, predictable, friendly, wholesome characters bicycling on the trails of a small prosperous and picturesque Nordic country, having ethnic breakfasts with tasteful coffee and Danish pastries, reading stories of Hans Christian Andersen, and consuming, for a change and not so secretly colorful pornography, you won't find much of that. We learn that the Danish social landscape is about as messy and with about the same amount of problems and stupid people, like anywhere else. Still, the high entertainment value and the visual and listening pleasure of watching this spellbinding series comes mostly from Rita herself. The complete abandonment of any kind of political correctness comes as of breath of fresh air for the viewers who have been blushing for decades for the wrong reasons, dictated by a long, merciless and successful brainwashing. Rita's heavy smoking, drinking, and her spontaneous sexual exuberance ("I'm very horny, I need to screw now") is blended so credibly with her extraordinary love and support of her students, talent for teaching and pure compassion for humans in trouble. Rita exits this long and intense episode of her life, by trading her career (not necessarily her future) for a totally unexpected but selfless cause, and she does it smiling, dignified and with her right arm and middle finger up, high up. I loved the series, I loved Rita and I hope you will too. George Kun

I am not Czech, but I am an almost native speaker of the Czech language. I lived in Prague for 10 years, and I am very familiar with and a lover of the Czech cinematography. I have seen literally hundreds of Czech movies, from very serious ones to cartoons. I am also very familiar with the Czech spirit, culture and humor. Enough about my credentials. I am very happy for the reviewers of this movie who found in it subtlety, originality, creativity, messages, etc. I did not. I profoundly disliked it. It's drab and slow, and boring. can still live with it if there is a better and stronger plot, more intelligent dialogue from people who are not "idiots". It looked to me that Frantisek was clearly emotionally hurt and mentally confused, but the real hospice was the place he came to, not the one he left from. Including the people. It's almost a challenge to distinguish him from his remote family, other than him talking less and slower. I understand that the movie budget was based on pocket change of Czech korunas and not truckloads of US dollars, that would have put some more color, and other background into the picture. And of course better sound and music, maybe less nose blood, too. I have seen much better Czech movies that did not get any nominations, and I have seen Italian, Spanish, German and French movies addressing very serious and grave human issue but with a more colorful background. It is true, though, that most Czech places looked like in the movie, in the 50's and 60' on a rainy and cold November day.Most importantly very serious movie on a very delicate subject doers not have to be mutually exclusive with being pleasing to the senses. And this movie is not.