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mandaric

Joined Oct 2005
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Ratings35

mandaric's rating
Au coeur du mensonge
6.610
Au coeur du mensonge
Princess Cyd
6.79
Princess Cyd
Fleabag
8.710
Fleabag
Le décalogue
8.910
Le décalogue
The Strange Ones
5.28
The Strange Ones
Splav meduze
6.79
Splav meduze
Predstava 'Hamleta' u Mrdusi Donjoj
7.49
Predstava 'Hamleta' u Mrdusi Donjoj
Smeker
7.08
Smeker
Ça tourne à Manhattan
7.59
Ça tourne à Manhattan
Eraserhead
7.39
Eraserhead
Blue Velvet
7.79
Blue Velvet
Lost Highway
7.69
Lost Highway
Inland Empire
6.810
Inland Empire
Le désert rouge
7.410
Le désert rouge
Hitler iz naseg sokaka
7.28
Hitler iz naseg sokaka
Le regard d'Ulysse
7.610
Le regard d'Ulysse
A Dangerous Method
6.45
A Dangerous Method
7h58 ce samedi-là
7.39
7h58 ce samedi-là
Burn After Reading
7.09
Burn After Reading
La vie est un chantier
7.210
La vie est un chantier
Taxi Driver
8.210
Taxi Driver
Chia e tazi pesen?
7.910
Chia e tazi pesen?
Barry Lyndon
8.110
Barry Lyndon
Haloa - praznik kurvi
5.910
Haloa - praznik kurvi
Synecdoche, New York
7.510
Synecdoche, New York

Lists2

  • Mubi
    • 0 titles
    • Public
    • Modified Apr 14, 2022
  • Robert De Niro in Taxi Driver (1976)
    MyMovies: PENDING
    • 44 titles
    • Public
    • Modified Feb 12, 2018

Reviews2

mandaric's rating
Fleabag

Fleabag

8.7
10
  • May 21, 2020
  • Fresh meat

    I am huge fan of black humor. I watched first 2 seasons almost in one breathe. It is funny, poignant, fast, perverse, rude, cruel, provocative and to some extent real. Phoebe is ingenious being writer and main character at the same time. She playing with cliches. The series is a kind of Bildungsroman; a watcher witnesses a kind of inner drama, self exploration, that is slowly culminating as it is coming to the end of second season
    L'homme n'est pas un oiseau

    L'homme n'est pas un oiseau

    7.1
    8
  • Aug 25, 2007
  • an early Mac's essaying

    This is one of Makavejev's early movies. An elder man, an engineer, Jan Rudinski, is invited to a little town on the east of Serbia to put together the machinery for copper production. There he meets young and pretty Rajka and they fall in in love with each other. She is charmed with his virility and his intelligence. At the end she is about have an one-night adventure with young truck driver. On the other side flows the story in a factory. Factory is the metonymy for communism. Makavejev depicts opportunities in Serbia during post-war time in a very distinctive manner. It seems to me that these two issues are very present in his later works - love (~sex) and Serbian communist period. But he always talks about it with a such humor, almost mocking. It is like he wants to say that life is almost nothing but a game - love, hate, death, working.

    Yes, it is true that it's plot is pretty simple. But it seems that the director wasn't much occupied with it either. The word 'game' is not just the question of the plot, but also the question of the style. Makavejev experiments with movie form. He mixes some documentary (or quasi-documentary) material with the played material. The effect is achieving a kind of essay-like sense. This meta-text, meta-story, an extra course, if you want, is about hypnosis. Thus, this element stays in some strange relationship with the basic plot. This is very important, because he develops this method in his further masterpieces: "W.R. - Misterije organizma" (W.R.: Mysteries of the Organism), "Nevinost bez zastite" (Innocence unprotected), "Ljubavni slucaj ili tragedija sluzbenice P.T.T."(Love Affair; or The Case of the Missing Switchboard Operator). I do not recommend this movie to, I may say, lower-level customers, accustomed to the conventional forms, but to those who are seeking for some new once, to those who are almost never satisified

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