lovellh
Joined Sep 2015
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Detailed review -Viduthalai Part 2, directed by Vetri Maaran, features a star-studded cast including Vijay Sethupathi, Manju Warrier, Soori, GVM, Rajiv Menon, and others. While the first installment primarily centered on Soori's character, the second part shifts its focus to Vijay Sethupathi.
The film weaves two parallel narratives. The first revolves around the aftermath of Perumal's arrest, while the second is shaped by Vijay Sethupathi's character, with some narration from Soori's perspective towards the end. Vetri Maaran incorporates subtle political and social undertones into the character arcs, adding depth to the narrative. For example, Perumal's wife, Mahalakshmi (played by Manju Warrier), cuts her hair short to signify resilience, and Karuppan (Ken Karunas) giving himself a name reflects a poignant personal choice.
The performances by the cast are commendable and do justice to the story and the director's vision. However, some characterizations leave room for questions. Anurag Kashyap's role feels unexplored-what purpose did his character serve? While Rajiv Menon, Chethan, and Manju Warrier deliver well-crafted performances, GVM's role lacks substance. The most disappointing aspect is the sidelining of Soori's character, who was the heart of Viduthalai Part 1.
Viduthalai Part 2, despite its strengths, doesn't reach the heights of its predecessor. The film becomes overly preachy at times. In Part 1, Soori's character was beautifully developed, and his diminished presence in Part 2 is a missed opportunity. This installment is dominated by Vijay Sethupathi, who carries the film with his stellar performance. However, Vetri Maaran, known for his sharp writing, appears to falter here. The film's heavy reliance on dialogues becomes tiresome, diluting its impact.
The disclaimer at the beginning of the movie, stating that the story does not target any political figures or entities, feels like a cop-out. If Vetri Maaran wanted to convey a specific ideology or message, he should have been more forthright. Using cinema as a platform to push personal ideologies without clarity undermines the craft. While the film retains its ideological and social relevance, it lacks the boldness and finesse one expects from Vetri Maaran. This isn't the kind of filmmaking that resonates deeply or leaves a lasting impression.
In a nutshell, Vidhuthalai Part 2 is nothing but a collection of too much dialogue with no depth. Vetrimaaran wanted to say something but he did not have enough guts to openly tell what he wanted to say. Stupidity at its best. This is the worst movie in the making of Vetrimaaran and a disappointing one.
The film weaves two parallel narratives. The first revolves around the aftermath of Perumal's arrest, while the second is shaped by Vijay Sethupathi's character, with some narration from Soori's perspective towards the end. Vetri Maaran incorporates subtle political and social undertones into the character arcs, adding depth to the narrative. For example, Perumal's wife, Mahalakshmi (played by Manju Warrier), cuts her hair short to signify resilience, and Karuppan (Ken Karunas) giving himself a name reflects a poignant personal choice.
The performances by the cast are commendable and do justice to the story and the director's vision. However, some characterizations leave room for questions. Anurag Kashyap's role feels unexplored-what purpose did his character serve? While Rajiv Menon, Chethan, and Manju Warrier deliver well-crafted performances, GVM's role lacks substance. The most disappointing aspect is the sidelining of Soori's character, who was the heart of Viduthalai Part 1.
Viduthalai Part 2, despite its strengths, doesn't reach the heights of its predecessor. The film becomes overly preachy at times. In Part 1, Soori's character was beautifully developed, and his diminished presence in Part 2 is a missed opportunity. This installment is dominated by Vijay Sethupathi, who carries the film with his stellar performance. However, Vetri Maaran, known for his sharp writing, appears to falter here. The film's heavy reliance on dialogues becomes tiresome, diluting its impact.
The disclaimer at the beginning of the movie, stating that the story does not target any political figures or entities, feels like a cop-out. If Vetri Maaran wanted to convey a specific ideology or message, he should have been more forthright. Using cinema as a platform to push personal ideologies without clarity undermines the craft. While the film retains its ideological and social relevance, it lacks the boldness and finesse one expects from Vetri Maaran. This isn't the kind of filmmaking that resonates deeply or leaves a lasting impression.
In a nutshell, Vidhuthalai Part 2 is nothing but a collection of too much dialogue with no depth. Vetrimaaran wanted to say something but he did not have enough guts to openly tell what he wanted to say. Stupidity at its best. This is the worst movie in the making of Vetrimaaran and a disappointing one.
