KEVINROSHEN
Joined Oct 2016
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.
Badges8
To learn how to earn badges, go to the badges help page.
Reviews7
KEVINROSHEN's rating
Curtains roll, and we see the ever familiar font associated with the Dino Franchise .
Cue the prelude, and we have the 'Park Worker getting skewered by the gnarly teeth' scene .
Title card appears, and we know template is followed to the T.
Jurassic Rebirth is exactly what we have come to expect from the franchise since Richard Attenborough ushered in the first visitors. Loud Roars, Big Teeths, Bigger Screams.
We know who's the antagonist, We know who's going to get gobbled up next, We know who's going to survive to see the sunrise.
The reason of wanting to go back where obvious death looms becoming more absurd with every film , we know how the story is going to pan out.
And yet there is an enjoyment lingering amidst all these 'We Knows'. The joy in seeing the dinosaurs again on the big screen. The anticipation of seeing characters survive the gargantuan creatures. The fulfilment of hearing the John Williams score play out again.
We have been there and seen it all. Yet the runtime doesn't feel stretched nor redundant.
Film caters well to an audience expecting a no brainer. 140 so minutes of inane entertainment. Best to watch the big birds in a big screen with big speakers. 3D rendering was unnecessary, as its devoid of any such effects .
My Rating - 6.9/10.
Cue the prelude, and we have the 'Park Worker getting skewered by the gnarly teeth' scene .
Title card appears, and we know template is followed to the T.
Jurassic Rebirth is exactly what we have come to expect from the franchise since Richard Attenborough ushered in the first visitors. Loud Roars, Big Teeths, Bigger Screams.
We know who's the antagonist, We know who's going to get gobbled up next, We know who's going to survive to see the sunrise.
The reason of wanting to go back where obvious death looms becoming more absurd with every film , we know how the story is going to pan out.
And yet there is an enjoyment lingering amidst all these 'We Knows'. The joy in seeing the dinosaurs again on the big screen. The anticipation of seeing characters survive the gargantuan creatures. The fulfilment of hearing the John Williams score play out again.
We have been there and seen it all. Yet the runtime doesn't feel stretched nor redundant.
Film caters well to an audience expecting a no brainer. 140 so minutes of inane entertainment. Best to watch the big birds in a big screen with big speakers. 3D rendering was unnecessary, as its devoid of any such effects .
My Rating - 6.9/10.
A good watch that sheds light on incidents and stories ever prevalent in the present times that most of us are not privy to .
The pilot episode is very well made and sets a commanding tone for the tale about to unfold .
The second one feels weak compared to the rest of the episodes but nevertheless adding required insights into the story .
The third episode is a near perfect character study in human psychology under pressure ,with a tight screenplay and edifying dialogues .
The finale is a gut punch and a stark remainder on how society can be the egocentric neighbor we all have who only view things from a certain perspective which suits their narrative .
The episode also brutally shows how seemingly impervious lives and households can shatter due to solitary moments of unblemished impulses.
Technically superior visual storytelling and brilliant performances from pivotal characters ( especially the boy and his father ) elevates this tale into a daunting viewing experience.
The pilot episode is very well made and sets a commanding tone for the tale about to unfold .
The second one feels weak compared to the rest of the episodes but nevertheless adding required insights into the story .
The third episode is a near perfect character study in human psychology under pressure ,with a tight screenplay and edifying dialogues .
The finale is a gut punch and a stark remainder on how society can be the egocentric neighbor we all have who only view things from a certain perspective which suits their narrative .
The episode also brutally shows how seemingly impervious lives and households can shatter due to solitary moments of unblemished impulses.
Technically superior visual storytelling and brilliant performances from pivotal characters ( especially the boy and his father ) elevates this tale into a daunting viewing experience.
The film does feel dragged and I for one definitely could gauge the long runtime . The film also ( quite unsuccessfully ) tried to indulge masala filmgoers by adding unnecessary drama , stale humour ,and an inadvertently funny hero entrance.
Special mention to the annoying dialogue between the hero and his advanced smart vehicle which was very very vexing .
These gimmicks to some extent made me immune to the concern of the seriousness of the issue on screen , which is a dystopian society in crumbles with depleting resources and a battle for survival between the haves and have nots . A plot such as this which is hard to come by in Indian Films should have been supported with better writing so as to induce the required macabre among the viewers .
Where the film excels is the way it handled the grand visuals and special effects which is an absolute treat on the big screen . The rendering of Kashi and Shambhala has been done splendidly and on a gargantuan scale .
Where the film excels even further is how it managed to incorporate the characters of the Indian Epic Mahabharata into the futuristic setting of the film. The best bits of the film is also thereby the glances you get of the Kurukshetra War . The feeling of seeing the visuals of the stories that we have been privy to for a long time is euphoric.
Special mention to the annoying dialogue between the hero and his advanced smart vehicle which was very very vexing .
These gimmicks to some extent made me immune to the concern of the seriousness of the issue on screen , which is a dystopian society in crumbles with depleting resources and a battle for survival between the haves and have nots . A plot such as this which is hard to come by in Indian Films should have been supported with better writing so as to induce the required macabre among the viewers .
Where the film excels is the way it handled the grand visuals and special effects which is an absolute treat on the big screen . The rendering of Kashi and Shambhala has been done splendidly and on a gargantuan scale .
Where the film excels even further is how it managed to incorporate the characters of the Indian Epic Mahabharata into the futuristic setting of the film. The best bits of the film is also thereby the glances you get of the Kurukshetra War . The feeling of seeing the visuals of the stories that we have been privy to for a long time is euphoric.
Recently taken polls
11 total polls taken
