Jay_Exiomo
Joined Jul 2005
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Jay_Exiomo's rating
Uninvited is undeniably a campy affair, but it's at least enjoyably so. So satisfying is the idea of watching Ate Vi take out a group of disposable villainous archetypes half her age that you can almost forgive the movie for being so predictable. Almost.
Dan Villegas' revenge flick revolves around Eva Candelaria (Vilma Santos), a mysterious woman who arrives at the birthday party of a wealthy man, Guilly (Aga Muhlach), who, a decade earlier, murdered her daughter. Eva has come to settle the score and exact her revenge.
While the premise holds promise, the film struggles to deliver a satisfying payoff. Dodo Dayao's script takes its time establishing Eva's vendetta, but all this buildup to the climactic party confrontation feels drawn out and, unfortunately, predictable. The stakes are never fully heightened, and what should be a cathartic moment of reckoning instead falls flat due to a lack of tension and urgency. The action itself lacks finesse, and the film's resolution feels as though it's simply going through the motions, leaving little room for emotional payoff.
Despite its narrative missteps, Uninvited is still worth watching, thanks in large part to the performances of Vilma Santos and Aga Muhlach. Santos fully embodies the vengeful mother turned vigilante, imbuing Eva with both strength and vulnerability, making her journey compelling even when the script falters. On the other hand, Muhlach relishes his role as the over-the-top villain, bringing a sense of glee to his character's evil deeds. Their chemistry and contrasting performances, while limited to the climax, inject some much-needed energy into the film.
While the movie stumbles to deliver the impact it promises, Uninvited still earns a seat at the table, thanks to the commanding performance of its leads, even as the material around them fizzles out. It may not be the must-see event in theaters it aspires to be, but it's definitely a fun watch for a streaming session.
Dan Villegas' revenge flick revolves around Eva Candelaria (Vilma Santos), a mysterious woman who arrives at the birthday party of a wealthy man, Guilly (Aga Muhlach), who, a decade earlier, murdered her daughter. Eva has come to settle the score and exact her revenge.
While the premise holds promise, the film struggles to deliver a satisfying payoff. Dodo Dayao's script takes its time establishing Eva's vendetta, but all this buildup to the climactic party confrontation feels drawn out and, unfortunately, predictable. The stakes are never fully heightened, and what should be a cathartic moment of reckoning instead falls flat due to a lack of tension and urgency. The action itself lacks finesse, and the film's resolution feels as though it's simply going through the motions, leaving little room for emotional payoff.
Despite its narrative missteps, Uninvited is still worth watching, thanks in large part to the performances of Vilma Santos and Aga Muhlach. Santos fully embodies the vengeful mother turned vigilante, imbuing Eva with both strength and vulnerability, making her journey compelling even when the script falters. On the other hand, Muhlach relishes his role as the over-the-top villain, bringing a sense of glee to his character's evil deeds. Their chemistry and contrasting performances, while limited to the climax, inject some much-needed energy into the film.
While the movie stumbles to deliver the impact it promises, Uninvited still earns a seat at the table, thanks to the commanding performance of its leads, even as the material around them fizzles out. It may not be the must-see event in theaters it aspires to be, but it's definitely a fun watch for a streaming session.
In 2023's Firefly, filmmaker Zig Dulay was recognized for his ability to craft an emotionally resonant narrative that deeply explores the themes of love, sacrifice, and connection across generations. The film follows a young orphan named Tonton and his band of adult friends as they search for the mystical "Island of Fireflies," with the film focusing on the bond that forms between them despite their age and differing life experiences. Dulay's storytelling shines through his delicate handling of personal growth and the healing power of human connection, using intimate moments and subtle character development to create a lasting emotional impact. His ability to draw out sincere, relatable emotions from his cast is a testament to his skill in evoking empathy and reflection from an otherwise straightforward story.
In this year's Green Bones, Dulay shifts his focus toward the complex themes of justice, morality, and redemption. Unlike the more intimate, generational exploration in Firefly, Green Bones is set in the tough, morally ambiguous world of a penal colony, where the characters are burdened by past actions while wrestling with the possibility of change. Whereas Firefly centers on the healing power of love and human connection, Green Bones explores the darker side of human nature, questioning whether someone who has done wrong can truly change. Dulay's approach in Green Bones is more tension-driven and suspenseful, deftly weaving together two points of view to highlight the internal and external struggles of his characters, showing a different side of his storytelling--one that grapples with broader moral dilemmas and the consequences of personal choices.
Green Bones is set in the penal colony of San Fabian, where the lives of two men, Gonzaga (Ruru Madrid) and Zamora (Dennis Trillo), intertwine under the weight of their pasts. Gonzaga, a police officer with a deep resentment toward criminals after witnessing the murder of his sister, is tasked with overseeing the inmates at the colony, including Zamora, a man convicted of killing his family. As Gonzaga grows suspicious of Zamora's good behavior, he sets out to uncover the truth, leading him into a moral quandary that forces him to confront his own beliefs about justice, redemption, and the possibility of change. The film is divided into three acts: the first follows Gonzaga's perspective as he investigates Zamora; the second shifts to Zamora's backstory, revealing his own struggles for redemption; and the third brings the two men together, forcing Gonzaga to question everything he thought he knew about the world of crime, punishment, and personal transformation.
At its core, Green Bones is a tale about morality and redemption. The film asks whether someone who starts out with a dark past, such as Zamora, can truly change for the better. Through Zamora's journey, the movie questions whether a person's actions can ever be forgiven, and if a second chance at redemption is ever truly deserved. The script by Ricky Lee and Anj Atienza challenges the idea that the black-and-white perception of good versus evil, suggesting that the path to justice is often not as straightforward as it appears.
On the other hand, Gonzaga's unyielding hatred for criminals, stemming from the tragic loss of his sister, stands as a stark contrast to Zamora's complex past. Dulay, Lee, and Atienza delve into the moral gray areas of the characters' lives--whether justice is truly served when it is guided by personal vendettas rather than objective truth. Is redemption a choice or a consequence of circumstance? Can the sins of the past be washed away, or will they forever stain a person's future? Ultimately, Green Bones offers a more nuanced understanding of redemption to challenge conventional definitions of justice and forgiveness.
All these profound explorations are fortunately aided by the performances of its leads. Trillo is especially noteworthy in characterizing the tortured Zamora, as he skillfully switches between being a menacing figure and a sympathetic character, depending on the perspective the film is presenting. This fluidity in his portrayal adds layers to the complexity of his character, making it easier for the audience to empathize with him despite how he is painted early on.
Dulay's direction is solid, with the pacing moving at a mostly steady rhythm that allows the tension to build and the (somewhat predictable) twists to reveal themselves without feeling rushed or dragged out. His skillful transitions between narrative arcs keep the story engaging, especially when revealing new perspectives with each shift in viewpoint. Ricky Lee's script, while occasionally melodramatic and heavy-handed, succeeds in being emotionally resonant, touching on universal themes of redemption and justice. The cherry on top is Neil Daza's cinematography that effectively enhances the film's themes, especially with its beautiful wide shots and use of negative space. These visuals not only highlight the isolation and internal struggles of the characters but also symbolize the emotional and moral distance between Gonzaga and Zamora. The careful framing of each scene reinforces the sense of confinement and the characters' battle with their pasts, providing a visual representation of their ongoing emotional journeys.
Green Bones is a poignant love letter to the complexities of justice, morality, and redemption. Through the contrasting perspectives of Gonzaga and Zamora, the film explores how personal experiences shape one's sense of right and wrong, and how these perceptions can be altered through deeper understanding and empathy. Ultimately, it serves as a reminder that everyone carries a story and that redemption, while not easily achieved, is always within the realm of possibility.
In this year's Green Bones, Dulay shifts his focus toward the complex themes of justice, morality, and redemption. Unlike the more intimate, generational exploration in Firefly, Green Bones is set in the tough, morally ambiguous world of a penal colony, where the characters are burdened by past actions while wrestling with the possibility of change. Whereas Firefly centers on the healing power of love and human connection, Green Bones explores the darker side of human nature, questioning whether someone who has done wrong can truly change. Dulay's approach in Green Bones is more tension-driven and suspenseful, deftly weaving together two points of view to highlight the internal and external struggles of his characters, showing a different side of his storytelling--one that grapples with broader moral dilemmas and the consequences of personal choices.
Green Bones is set in the penal colony of San Fabian, where the lives of two men, Gonzaga (Ruru Madrid) and Zamora (Dennis Trillo), intertwine under the weight of their pasts. Gonzaga, a police officer with a deep resentment toward criminals after witnessing the murder of his sister, is tasked with overseeing the inmates at the colony, including Zamora, a man convicted of killing his family. As Gonzaga grows suspicious of Zamora's good behavior, he sets out to uncover the truth, leading him into a moral quandary that forces him to confront his own beliefs about justice, redemption, and the possibility of change. The film is divided into three acts: the first follows Gonzaga's perspective as he investigates Zamora; the second shifts to Zamora's backstory, revealing his own struggles for redemption; and the third brings the two men together, forcing Gonzaga to question everything he thought he knew about the world of crime, punishment, and personal transformation.
At its core, Green Bones is a tale about morality and redemption. The film asks whether someone who starts out with a dark past, such as Zamora, can truly change for the better. Through Zamora's journey, the movie questions whether a person's actions can ever be forgiven, and if a second chance at redemption is ever truly deserved. The script by Ricky Lee and Anj Atienza challenges the idea that the black-and-white perception of good versus evil, suggesting that the path to justice is often not as straightforward as it appears.
On the other hand, Gonzaga's unyielding hatred for criminals, stemming from the tragic loss of his sister, stands as a stark contrast to Zamora's complex past. Dulay, Lee, and Atienza delve into the moral gray areas of the characters' lives--whether justice is truly served when it is guided by personal vendettas rather than objective truth. Is redemption a choice or a consequence of circumstance? Can the sins of the past be washed away, or will they forever stain a person's future? Ultimately, Green Bones offers a more nuanced understanding of redemption to challenge conventional definitions of justice and forgiveness.
All these profound explorations are fortunately aided by the performances of its leads. Trillo is especially noteworthy in characterizing the tortured Zamora, as he skillfully switches between being a menacing figure and a sympathetic character, depending on the perspective the film is presenting. This fluidity in his portrayal adds layers to the complexity of his character, making it easier for the audience to empathize with him despite how he is painted early on.
Dulay's direction is solid, with the pacing moving at a mostly steady rhythm that allows the tension to build and the (somewhat predictable) twists to reveal themselves without feeling rushed or dragged out. His skillful transitions between narrative arcs keep the story engaging, especially when revealing new perspectives with each shift in viewpoint. Ricky Lee's script, while occasionally melodramatic and heavy-handed, succeeds in being emotionally resonant, touching on universal themes of redemption and justice. The cherry on top is Neil Daza's cinematography that effectively enhances the film's themes, especially with its beautiful wide shots and use of negative space. These visuals not only highlight the isolation and internal struggles of the characters but also symbolize the emotional and moral distance between Gonzaga and Zamora. The careful framing of each scene reinforces the sense of confinement and the characters' battle with their pasts, providing a visual representation of their ongoing emotional journeys.
Green Bones is a poignant love letter to the complexities of justice, morality, and redemption. Through the contrasting perspectives of Gonzaga and Zamora, the film explores how personal experiences shape one's sense of right and wrong, and how these perceptions can be altered through deeper understanding and empathy. Ultimately, it serves as a reminder that everyone carries a story and that redemption, while not easily achieved, is always within the realm of possibility.
In "Tumandok," directors Richard Jeroui Salvadico and Arlie Sweet Sumagaysay craft a deeply moving portrayal of the Ati people's struggles in the Philippines. The film opens with a young Ati, shot by an unknown assailant, lying in a cornfield. Soon, people from his village rush to his aid, setting a powerful tone for the film's exploration of systemic violence and neglect, and reflecting the film's broader critique of a nation burdened by historical injustices.
The narrative structure of the film is simple, focusing on everyday moments and challenges faced by the Aetas in Panay, particularly in Iloilo. The filmmakers present a series of vignettes that collectively illustrate the harsh realities of life under systemic exploitation and socio-economic disparity. The film takes a meditative approach with several scenes unfolding in silence, perhaps to let the viewer absorb the raw and poignant reality of the Atis' lives. This deliberate pacing emphasizes the contemplative nature of their daily struggles and the pervasive impact of systemic issues.
A notable aspect of "Tumandok" is its use of non-professional Ati actors, which brings an unfiltered authenticity to the film. The lead actress, Jenaica Sangher, impresses with her portrayal of strength and vulnerability at the same time.
"Tumandok" portrays how historical injustices continue to shape contemporary socio-political and economic conditions, reinforcing the notion that colonial legacies contribute to ongoing systemic issues. Nonetheless, its focus on suffering and systemic failures might leave viewers feeling overwhelmed. The film's portrayal of the Atis' harsh realities is poignant and prompts reflection on the deep-rooted problems it highlights.
"Tumandok" stands as a significant critique of the intersection between capitalism and colonialism in the Philippines. Through its meditative style, authentic performances, and focus on the daily experiences of the Atis, the film challenges viewers to confront socio-economic disparity and historical injustice and at the very least empaathize with the most marginalized of our fellow Filipinos. Its raw depiction of these issues offers a crucial perspective on the ongoing impacts of exploitation and the need for meaningful change.
The narrative structure of the film is simple, focusing on everyday moments and challenges faced by the Aetas in Panay, particularly in Iloilo. The filmmakers present a series of vignettes that collectively illustrate the harsh realities of life under systemic exploitation and socio-economic disparity. The film takes a meditative approach with several scenes unfolding in silence, perhaps to let the viewer absorb the raw and poignant reality of the Atis' lives. This deliberate pacing emphasizes the contemplative nature of their daily struggles and the pervasive impact of systemic issues.
A notable aspect of "Tumandok" is its use of non-professional Ati actors, which brings an unfiltered authenticity to the film. The lead actress, Jenaica Sangher, impresses with her portrayal of strength and vulnerability at the same time.
"Tumandok" portrays how historical injustices continue to shape contemporary socio-political and economic conditions, reinforcing the notion that colonial legacies contribute to ongoing systemic issues. Nonetheless, its focus on suffering and systemic failures might leave viewers feeling overwhelmed. The film's portrayal of the Atis' harsh realities is poignant and prompts reflection on the deep-rooted problems it highlights.
"Tumandok" stands as a significant critique of the intersection between capitalism and colonialism in the Philippines. Through its meditative style, authentic performances, and focus on the daily experiences of the Atis, the film challenges viewers to confront socio-economic disparity and historical injustice and at the very least empaathize with the most marginalized of our fellow Filipinos. Its raw depiction of these issues offers a crucial perspective on the ongoing impacts of exploitation and the need for meaningful change.