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blue-raincoat's profile image

blue-raincoat

Joined Dec 2015
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Ratings1.5K

blue-raincoat's rating
Subspace Rhapsody
6.86
Subspace Rhapsody
Under the Cloak of War
8.27
Under the Cloak of War
Those Old Scientists
8.99
Those Old Scientists
Lost in Translation
7.38
Lost in Translation
Charades
8.28
Charades
Among the Lotus Eaters
7.38
Among the Lotus Eaters
Tomorrow and Tomorrow and Tomorrow
8.38
Tomorrow and Tomorrow and Tomorrow
Ad Astra Per Aspera
8.58
Ad Astra Per Aspera
The Broken Circle
7.68
The Broken Circle
All Those Who Wander
8.28
All Those Who Wander
A Quality of Mercy
9.19
A Quality of Mercy
The Elysian Kingdom
6.27
The Elysian Kingdom
Mandy
7.39
Mandy
The Serene Squall
7.27
The Serene Squall
Memento Mori
8.48
Memento Mori
Spock Amok
8.08
Spock Amok
Star Trek: Strange New Worlds
8.38
Star Trek: Strange New Worlds
Un espion ordinaire
7.27
Un espion ordinaire
Master Cheng
6.97
Master Cheng
A Very Robust Personal Life
7.36
A Very Robust Personal Life
Welcome to St. Denis
7.27
Welcome to St. Denis
Fake
7.08
Fake
The Contestant
7.27
The Contestant
Saltburn
7.08
Saltburn
The Last Anniversary
7.15
The Last Anniversary

Reviews26

blue-raincoat's rating
Un jour

Un jour

8.0
3
  • Feb 7, 2024
  • Completely miscast

    Sadly this is incredibly disappointing because the two lead actors just don't gel. Not a great sign in a romantic drama. There is no sense of spark or romance between them on screen and this leads to an unconvincing and slow storyline dragging out, and subsequently we don't really care about either character.

    Leo Woodall does well as Dexter and his screen charisma and charm are evident, fitting the character exactly as in the novel. However Ambika Mod is very far from what Emma should be and this perhaps lies in a huge miscasting of the part. If the viewer doesn't believe that these characters even care about each other, what's the point? It simply becomes dull and dreary.
    The Ark

    The Ark

    5.7
    8
  • Jul 22, 2023
  • Weird East European vibe but stick with it

    The first couple of episodes were bumpy to say the least but this series improved as it went along. It has a weird East European vibe to it, not only the mix of accents but also there's a odd unfinished or amateurish feel to it.

    It lacks subtlety and balance, and there are some glaring plot holes and clunky plot devices, however it does have a certain charm which slightly reminds me of the original Star Trek.

    The good news is that it steadily improved all the way through to episode twelve, and looks as though it has been renewed for a further series.

    The only change I would make is to cast a different actor in the role of Doctor Kabir. The current actress is dreadful in the role and completely spoils the dramatic illusion with her lack of acting skills.

    Am looking forward to great things in season two.
    Ten Pound Poms

    Ten Pound Poms

    6.8
    5
  • May 22, 2023
  • A soap opera for the screen illiterate

    I expected so much more from this, but unfortunately it's little better than a soap opera gone wrong. So incredibly cliched, and particularly annoying is the rewriting of social history to suit today's woke agenda. According to this drama only the Australians were racist, and the working class English were oh so enlightened in the 1950s. Yeah right!

    And talking of colour, Michelle Keegan appeared at Australian immigration wearing so much OTT fake tan that I feared she was going to fall foul of the 'no non-whites' entry policy of the time.

    Too many convoluted and implausible storylines crammed in, stereotypes galore, poor acting, especially by M Keegan, hardly recognisable these days with her ever changing face - it all adds up to a huge disappointment.

    The opening scenes were shockingly heavy handed and an insult to audiences: the UK scenes played out behind dark grey filters to signal how miserable England was. Really? Even soaps don't attempt this sort of blatant audience manipulation any more. Did the producers fail to realise that viewers are screen literate now?
    See all reviews

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