dansandini

A dude played by Polanski rents an apartment where a woman killed herself. From there we start down the slippery slope of something supernatural (or is it?). Complaining neighbors hear things that never happened. A man is seen in the common bathroom across the courtyard. Egyptian hieroglyphics make us think the supernatural will reveal itself. But will it?

The mundane annoyances of life (why don't they ever stock my cigarettes?) become more and more frustrating as the supernatural reveals itself, but again, is it supernatural? The viewer is put on the edge of their seat with some gore that is difficult to watch. We grasp for a lifeline which is indeed offered to us. Watch for Polanski's use of color to offer us that hope. Will he save us so we can breathe again and stop sweating, or will he yank away our life line and let us swirl into the darkest depths?

This "The Shining meets Psycho" transported to art house Paris cinema is a Polanski masterpiece. A slow start may have you itching for an exit and wishing you had that extra espresso. But just about the time you're done admiring the Paris visuals and realistic French style acting, things really pick up. So stick with it. 9/10.

Bizarre collection of French people having existential experiences. Outdoors sex, drug deals, murders snd charming French inns have one wondering and laughing. Surreal French military enter with strange memories of their past and dreams, compelled to tell them and the cast, sometimes driven by alcohol and marijuana intoxication are compelled to listen. Ends abruptly leaving one questioning the meaning of life.

While the film engaged me through most of it I got a tired of it by the end. Whose dream is this, if it even is a dream. Some scenes crack me up like the chickens on the floor. Others may make you jump out of your seat. All in all worth the ride but your mileage may vary.

The Bitter Tea of General Yen 1933 Barbara Stanwick Directed by Fred Capra

In the shadowy corridors of cinematic history, Frank Capra's "Yen" emerges as a fascinating precursor to the noir genre, its narrative woven with threads of sinister motives and an irresistible allure. Set against the tumultuous backdrop of the Chinese Civil War, the film introduces us to the enigmatic General, a character whose chilling presence and unsettling charm gradually erode the resolve of the titular Stanwick.

Capra's directorial vision is evident in the film's dreamy, softened edges, where careful lighting and meticulous framing create a visual tapestry that is both haunting and captivating. This attention to detail is particularly noteworthy in the action sequences, which are executed on a grand scale and remain remarkably believable for their era. The outdoor locations, complete with authentic train action shots, transport the viewer to a world of intrigue and danger.

Barbara Stanwick, in an almost unrecognizable early role, delivers a performance that hints at her future greatness. Her portrayal of the future bride is marked by a strength and emotional depth that would later flourish in iconic films such as "Double Indemnity." This nuanced performance is a testament to Stanwick's burgeoning talent and her ability to convey complex emotions with subtlety and grace.

"Yen" is a film that is both a product of its time and a harbinger of the noir era's darker themes. It is a compelling exploration of attraction and romance, where the lines between right and wrong blur in the face of overwhelming desire. Capra's careful crafting of this early noir story makes it a worthwhile watch for any cinema buff, and its availability for free on Amazon Prime only adds to its allure.