[go: up one dir, main page]

    Release CalendarTop 250 MoviesMost Popular MoviesBrowse Movies by GenreTop Box OfficeShowtimes & TicketsMovie NewsIndia Movie Spotlight
    What's on TV & StreamingTop 250 TV ShowsMost Popular TV ShowsBrowse TV Shows by GenreTV News
    What to WatchLatest TrailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily Entertainment GuideIMDb Podcasts
    OscarsPride MonthAmerican Black Film FestivalSummer Watch GuideSTARmeter AwardsAwards CentralFestival CentralAll Events
    Born TodayMost Popular CelebsCelebrity News
    Help CenterContributor ZonePolls
For Industry Professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign In
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app

odessasteps

Joined May 2005
Welcome to the new profile
We're still working on updating some profile features. To see ratings breakdowns and polls for this profile, please go to the previous version.

Badges2

To learn how to earn badges, go to the badges help page.
Explore badges

Reviews1

odessasteps's rating
Pardehe Akhar

Pardehe Akhar

7.4
9
  • May 19, 2005
  • Massihi's only feature film is the best Iranian film ever

    The Last act is one of the most important films made in Iran after the revolution. Karim Massihi uses very interesting method for the narration of the film in which although the it has a very complex story, the film's narration is so simple. Definitely The Last Act is one of the best Iranian films in terms of the acting specifically Nikoo kheredaman and Mahaya Petrosian did wonderful performance. From the very beginning the story is established on lies which disturb the audience. However, at the end instead of the audience the director (Kamran Mirza) decide to fool the producer (Tajolmoluk). This shift at the end shows that the director is more concerned about the prestige of the work and his audience rather than the producer.

    Recently viewed

    Please enable browser cookies to use this feature. Learn more.
    Get the IMDb App
    Sign in for more accessSign in for more access
    Follow IMDb on social
    Get the IMDb App
    For Android and iOS
    Get the IMDb App
    • Help
    • Site Index
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Press Room
    • Advertising
    • Jobs
    • Conditions of Use
    • Privacy Policy
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.