anxa73
Joined May 2005
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anxa73's rating
I've seen this movie several times, and I always find a new and different detail on it.
After so many years, the movie talks with so clearness and sincerity about a long term relationship between a man and a woman, in this case, called marriage, that time haves no meaning. The story is still alive and doesn't change, because men are still men and women are still women.
What I want to say is that this film is a real exercise of love understanding and how problems can be solved when love exists.
Sometimes bitter, always sincere and perfectly performances, (great Audrey and an even better Albert Finney), makes believe in art inmortality.
After so many years, the movie talks with so clearness and sincerity about a long term relationship between a man and a woman, in this case, called marriage, that time haves no meaning. The story is still alive and doesn't change, because men are still men and women are still women.
What I want to say is that this film is a real exercise of love understanding and how problems can be solved when love exists.
Sometimes bitter, always sincere and perfectly performances, (great Audrey and an even better Albert Finney), makes believe in art inmortality.
This is one of my favorite films.
Terribly sincere, talks about relationships and silence, about how doubts and questions not answered can turn love in death or slow suicide and about how everything comes to pain.
But is not a sad story at the end. The role of young Martín (Hache), perfect and tender Juan Diego Botto, as the real survivor of the script, turning sour into sweetness, and insecurity into strenght, even though he's lost in hesitations, is a message of faith in life.
The dialogs are intelligent and sharp, the actors, gorgeous. And I fell in love with Martín (Hache) for the rest of my life.
Thank you, Adolfo Aristarain for such a great, sensitive, risky and intelligent movie and thank you, Federico Lupi, Cecilia Roth, Eusebio Poncela and, specially, Juan Diego Botto for your incredible work.
Terribly sincere, talks about relationships and silence, about how doubts and questions not answered can turn love in death or slow suicide and about how everything comes to pain.
But is not a sad story at the end. The role of young Martín (Hache), perfect and tender Juan Diego Botto, as the real survivor of the script, turning sour into sweetness, and insecurity into strenght, even though he's lost in hesitations, is a message of faith in life.
The dialogs are intelligent and sharp, the actors, gorgeous. And I fell in love with Martín (Hache) for the rest of my life.
Thank you, Adolfo Aristarain for such a great, sensitive, risky and intelligent movie and thank you, Federico Lupi, Cecilia Roth, Eusebio Poncela and, specially, Juan Diego Botto for your incredible work.
