chalfer13
Joined Mar 2014
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.
Badges2
To learn how to earn badges, go to the badges help page.
Reviews4
chalfer13's rating
Jesuíta Barbosa delivers a phenomenal performance. I really enjoyed his acting and the overall work of the film. There were moments when I felt a bit lost, but the musical performances brought me back. The cinematography, editing, and technical aspects were all very well done, but the real standout here is Jesuíta.
The storytelling could have been a bit better, but I believe it was the intention of the Director and Ney Matogrosso himself, which I respect as a viewer.
I'm not one for comparisons, but I enjoyed it more than "Bohemian Rhapsody".
Please give the World Cup to Jesuíta Barbosa, he deserves it. Thank you, Brazil.
The storytelling could have been a bit better, but I believe it was the intention of the Director and Ney Matogrosso himself, which I respect as a viewer.
I'm not one for comparisons, but I enjoyed it more than "Bohemian Rhapsody".
Please give the World Cup to Jesuíta Barbosa, he deserves it. Thank you, Brazil.
Luis Gerardo Méndez's directorial debut is a good attempt, with a brave execution in addressing certain social issues, but it suffers from poor humor and a terrible script.
The first 10 minutes seemed promising, but then you're plunged into a sea of inconsistencies and technical flaws.
It's appreciated to see a Mexican film that doesn't focus on violence, drug trafficking, corruption, or government issues, and instead tries to address something different. Despite all its structural problems, Mexican cinema is much more than that.
I hope Luis Gerardo Méndez's career as a director brings us more films like the ones we're used to seeing him act in.
The first 10 minutes seemed promising, but then you're plunged into a sea of inconsistencies and technical flaws.
It's appreciated to see a Mexican film that doesn't focus on violence, drug trafficking, corruption, or government issues, and instead tries to address something different. Despite all its structural problems, Mexican cinema is much more than that.
I hope Luis Gerardo Méndez's career as a director brings us more films like the ones we're used to seeing him act in.