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dsntxst

Joined Feb 2014
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Badges2

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Ratings1.9K

dsntxst's rating
Rasta Rockett
7.07
Rasta Rockett
Princess Bride
8.08
Princess Bride
Drop Dead Fred
6.07
Drop Dead Fred
SuckSeed: Huay Khan Thep
7.47
SuckSeed: Huay Khan Thep
Possum
5.87
Possum
Evil Dead
7.48
Evil Dead
The One Armed Executioner
5.85
The One Armed Executioner
The Sadness
6.57
The Sadness
La méthode
7.17
La méthode
Predator
7.88
Predator
Total Recall
7.59
Total Recall
L'inconnu du Nord-Express
7.98
L'inconnu du Nord-Express
L'homme qui rétrécit
7.68
L'homme qui rétrécit
La nuit de la comète
6.36
La nuit de la comète
Li Mi De Cai Xiang
6.95
Li Mi De Cai Xiang
Willow
7.27
Willow
Baiorensu boijâ
6.77
Baiorensu boijâ
La légende de Zatoïchi - Le secret
7.28
La légende de Zatoïchi - Le secret
Le syndrome chinois
7.48
Le syndrome chinois
Zatôichi, le masseur aveugle
7.68
Zatôichi, le masseur aveugle
Beetlejuice
7.58
Beetlejuice
L'Assassinat de Jesse James par le lâche Robert Ford
7.52
L'Assassinat de Jesse James par le lâche Robert Ford
Le guerrier de jade
5.86
Le guerrier de jade
Un mercenaire reste à tuer
5.86
Un mercenaire reste à tuer
La chute de la maison Usher
6.98
La chute de la maison Usher

Lists2

  • Teri Hatcher, Charlize Theron, James Spader, Eric Stoltz, Danny Aiello, and Jeff Daniels in 2 jours à Los Angeles (1996)
    Movies I own
    • 2590 titles
    • Public
    • Modified Oct 11, 2024
  • Takashi Miike in 13 Assassins (2010)
    Favourite directors
    • 71 people
    • Public
    • Modified Jun 18, 2015

Reviews13

dsntxst's rating
To kako

To kako

5.4
1
  • May 28, 2015
  • Really not very good

    I realise the film makers weren't out to create a masterpiece with 'Evil' and judging by the other reviews there appears to be a market for this film, but I personally could not stomach it.

    The film looks awful; the acting is non-existent; the camera work and editing are headache inducing; the make-up, gore effects and set pieces are woeful; the soundtrack and sound editing are terrible; the plot, characterisation and humour are weak; the pacing is all over the place; and the internal logic of the film world is broken constantly. And for a runtime of around 80 minutes, it amazingly seems to drag on interminably.

    There are one or two nice shots but that's the only positive I can give.

    Again, I know 'Evil' is not intended to be anything more than a quick-and-dirty horror-comedy but I must be well outside the intended audience as it just did not work for me at all.
    Shirayuki-hime satsujin jiken

    Shirayuki-hime satsujin jiken

    6.9
    7
  • May 26, 2015
  • Interesting mix of murder-mystery, media commentary and... friendship?

    Until the Light Takes Us

    Until the Light Takes Us

    7.0
    7
  • Apr 3, 2015
  • Only one piece of the puzzle but an interesting one

    'Until the Light Takes Us' is an exploration of the 1980s and 90s Norwegian black metal movement largely seen through the eyes of two of its important figures - Gylve 'Fenriz' Nagell, one half of the key duo behind the seminal Darkthrone; and Varg 'Count Grishnackh' Vikernes, the man behind one-man project Burzum.

    The documentary is mostly comprised of interviews with Nagell and Vikernes as well as several members of other prominent black metal bands. The film also portrays some fly-on-the-wall moments with Nagell as he recounts the events of the early days of the black metal scene, and includes some archival footage, most notably of the infamous church burnings and the ensuing media frenzy. With no narrator and very few inter-titles, the talking head pieces are largely left to drive the film forward. Whilst the insights from Nagell and Vikernes are interesting, it does tend to make 'Until the Light Takes Us' feel a bit like an incomplete picture of the true goings-on of the time. For those already familiar with the events of the Norwegian black metal scene in the 1980s and 90s, there probably isn't too much more you would learn from this film. However, if you are new to the story, there are some interesting tidbits to be gained - albeit from a limited perspective. Other reviewers have noted the lack of insight into some of the more extreme views of Vikernes - likewise, I feel this would have been an interesting area to explore and was a bit of a missed opportunity from the filmmakers.

    From a technical perspective, the film is well pieced together. Much like black metal itself, there is no unnecessary ornamentation (such as crazy edits or 'arty' camera angles/effects) and the story is left pretty much to unfold on its own. A quick note also on the soundtrack - not exactly what I was expecting for a documentary on black metal but an interesting choice and effective for the most part.

    In summary, an interesting piece of the story behind one of the more infamous movements in modern music but one that should be taken as only part of the complete picture. Worth a view as a companion piece.
    See all reviews

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