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What a stroke of luck to undertake a basketball documentary about a grade school team that includes the undiscovered future NBA star LeBron James!

Using film and game video footage interspersed with computer effect enhanced photographs, excellent editing and well-mixed music we get a compelling revealed story about four boys turning into men under increasingly intense public scrutiny.

I particularly liked the way the director "animated' photographs by extracting layers and changing the focus. This was probably a necessary technique to extend limited early footage, but it brought in a dimension that many documentaries are lacking

This film follows Canadian photographer Edward Burtynsky to China where he documented the grim scale of Chinese industry and it's impact on the... landscape, obviously! Burtynsky's fascinating photos of industrial activity and waste have been exhibited widely, I saw the local exhibition at the Art Gallery of Ontario two years ago and came home with both the exhibition book of the same name and one of his framed 'quarry' prints. Now I've seen Jennifer Baichwal's film on the same topic. I think they've covered the media bases. Perhaps a role-playing game for PS3? So, thumbs up or down? Well, a thumb in each direction I think. The film gave visual context to Burtynsky's photos, which was helpful because sometimes you just can't believe that his images come from the real world. It also expanded them by capturing more of the human presence, which is often incidental in his photos. The film opened with a five minute tracking shot (shades of Robert Altman) along rows of bustling manual assembly lines. The scene showed both the monumental scale of China's industries and the massive and repetitive human activity that makes it possible. Watching a worker assemble a small electrical component at lightning speed and then later watching peasants tapping the metal off of computer chips for recycling reminded me that industry grinds down people as well as landscapes.

There were some clever juxtapositions that highlighted the economic divide in China. The remark "this is an open kitchen", for example, started while we watched a peasant's medieval outdoor stove in use but concluded while we watched the speaker, a Shanghai Realtor, show off her open-concept luxury kitchen.

The down side? Well, the film kind of dragged on (how many slow tracking shots can we sit through in a night?) and the sound track was excessively "industrial" and often grating.

Still, Manufactured Landscapes is a mind-expanding film that illuminates and expands on Edward Burtynsky vision and trusts the viewer to interpret it.

As I expected, The Journals of Knud Rasmussen was a "slow" film but I found it to be very powerful. I saw it at the Toronto International Film Festival at a Press and Industry screening.

The Journals of Knud Rasmussen is a true story of first contact with Europeans and the family and historical tensions that arise. It gave a powerful sense of the old Inuit life of tradition and superstition. The first scene was an evocative camera's-eye view of an Inuit family preparing themselves to be photographed which faded into a black and white still. As the end credits rolled photographs of the historical characters were shown.

Throughout the film I had a real sense of being in the place and in the time. The plot mixed the real and supernatural worlds intermixed frequently, which required a fair amount of concentration on the viewer's part.