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"Recife Frio" is a short film in which the humor is used with intelligence to show the social reality of city in the north of Brazil. Kleber creates an atmosphere inspired by a documentary, using this to present the experience in the city for many social groups since the emergence of strangers climate changes. Recife, a city with high social inequality and high temperatures during all year, is dissected with humor and almost none pretentiousness. Beautifful images are combinated with simple scenes for presenting the arts from Recife, your people and your architecture, featured the presence of Lia de Itamaracá and 'repent's' artists, representatives of the regional culture of Recife. Intelligent, funny and light, this short is great to think in our reality without lost the humor.

With poor acting and an extremely confusing script, the most hated woman in the United States tells the story of Madalyn Murray O'Hair, president and founder of the American atheist association, focused on her kidnapping in 1995. The ill-executed direction of the film portrays in a poorly planned manner the events preceding and explaining the abduction as well as the period in captivity the atheist activist and his family. When finished watching the film, the spectator can not visualize in detail neither the life of Madalyn nor his kidnapping. Badly made scenes of action, weak dialogues and a dubious photograph characterize this film that, unfortunately, does not live up to the importance of the figure of Madalyn and its history.

"The True Cost" is a documentary by Andrew Morgan which explores the whole network of clothe's production and consume, unlatching the concept of fast fashion and his implications. Approaching the social and envirement impacts, the film shows the true cost of the fashion consume in this age, including the physical and psiquic ills caused by the chlote's production in poor countries without labor laws, ground's contamination caused by the agriculture required for the sector's industry and the social problems related to the economic policies and globalized production chain. The great problem of this film is the attempt to investigate all the issues intrinsic of the fashion cost. When treating multiple questions, the documentary ends up becoming a shallow investigation, without deepening and solidity. This desorganization is allied to a lack of interactions with the viewer and boring interviews, besides not including important social actors of the fashion production.