james-hunter-stewart
Joined Dec 2004
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james-hunter-stewart's rating
One of those totally surprising contributions that remind us that there are still film-makers with talent and originality out there.
This Canadian film is hard to classify - it's costume drama, romance, Broadway musical, ghost story, mocumentary, educational film, puppet show, and political soap-box all at the same time.
It tells the story of the noted Victorian sexologist Richard Francis Burton (still alive after an unfortunate encounter with the fountain of youth) and Patient Zero, the man who, according to the media beat-up, brought AIDS to North America. After three years dead, Zero returns (not quite to life) to clear his name, but the only person who can see him is Burton, who wants to use his story as the centre-piece of his banal 'Hall of Contagion' exhibition.
Nineteenth century attitudes collide with twentieth century morality. Things get really sticky when the local AIDS activists weigh into the argument ...
Gorgeous original score, singing bottoms, dancing (stuffed) animals, talking viruses, synchronised swimming, a chorus of naked men, taxidermy! - there's something in this film for everyone.
Funny, bizarre, devastatingly sad - this three-tune-musical-on-film has got everything, though not everyone will cope with the grown-up content and highly theatrical treatment.
Exotic fruit indeed: witty, subtle, and not-so-subtle, with lots to think about - well worth seeing, and not only as a rare example of how to make a musical work on film.
This Canadian film is hard to classify - it's costume drama, romance, Broadway musical, ghost story, mocumentary, educational film, puppet show, and political soap-box all at the same time.
It tells the story of the noted Victorian sexologist Richard Francis Burton (still alive after an unfortunate encounter with the fountain of youth) and Patient Zero, the man who, according to the media beat-up, brought AIDS to North America. After three years dead, Zero returns (not quite to life) to clear his name, but the only person who can see him is Burton, who wants to use his story as the centre-piece of his banal 'Hall of Contagion' exhibition.
Nineteenth century attitudes collide with twentieth century morality. Things get really sticky when the local AIDS activists weigh into the argument ...
Gorgeous original score, singing bottoms, dancing (stuffed) animals, talking viruses, synchronised swimming, a chorus of naked men, taxidermy! - there's something in this film for everyone.
Funny, bizarre, devastatingly sad - this three-tune-musical-on-film has got everything, though not everyone will cope with the grown-up content and highly theatrical treatment.
Exotic fruit indeed: witty, subtle, and not-so-subtle, with lots to think about - well worth seeing, and not only as a rare example of how to make a musical work on film.