whitneybones

I really enjoyed the first Jacker but this thing was so confusing. Some people that died in pt1 were ... I dunno alive again or undead? Including Mike, the killer that was thrown off a cliff. I pretty much had no idea what was happening half of this movie but I will say it still had its moments. At one point Mike is wearing the skinned face of a black guy her murdered (and some winter gloves to cover his whiteness) so he could prank a friend of the dead guy. For a cheap movie like this, they actually pulled the effect off pretty well and it was kinda creepy. Also Joel Wynkoop shows up for a scene where he goes to town on some poor actress's boobs in a hotel room. Joel always steals every scene he's in. Wish he was in it more.

This could have benefited by shaving 20/30 minutes off but if you liked pt1 I guess this is still worth a watch.

As kids, people were taught that clowns are their friends, as they often saw them at birthday parties; but once those kids saw their first clown movie, they most likely had a change of heart. At a certain point, or maybe by accident, society changed the outlook people have on clowns and changed the picture into a much more sinister one. For decades, filmmakers have taken an innocent character and turned it into something audiences should be scared of. I went into this expecting to dread it as it looked like a typical clown-forest-horror movie, actually ended up liking it! It's not the greatest thing ever made, believe me, it has lots of problems! But, I still found myself enjoying this one for what it was! Lots of fun, cheesy gore and stupid characters making the cliché decisions. Kellyann Summers has fun with this role and it's obvious just by watching her performance. If this type of thing is your cup of tea, I say give it a watch or two!

Hidden in the aimless scenes and slack direction is the odd nugget of dialogue with a noirish gleam. But mostly it's pure panto: "I'm about to do a spot of decorating. I was thinking dark red would suit this room." It may be remiss to dump on a film that cost £30,000, but it seems to be only this type of film-making that can hit a pitch of such sublime pap. Maybe one day Nest of Vampires will get its own Disaster Artist-style eulogy.