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So to synopsisise this movie for you: Gus is a guy who lies about his sexual adventures, much like every guy ever, Jessica seems like a lost soul who is trying to connect with someone but having no luck. The pair meet at some terrible house party and a sparkle of light comes alive in both of them.

That's all I can share, it's a movie that is just over 60 minutes long, as with Small Town Murder Songs, that's hardly a real feature film in my eyes but in the short time you get to know these characters you feel like a lot happens, to go in to more depth about plot and storyline would be giving too much away I feel.

My first impressions were that it was a more accurate depiction of the behaviour of people in their early 20's than I remember seeing on film before. It had the feel of Larry Clark's Kids but without the delinquent storyline. As you may have realised from previous reviews I am a sucker for a bit of realism in film, the kitchen sink aesthetic being something I enjoy more than a lot of other viewers and whilst this doesn't reach the level of a Ben Wheatley movie for example it is sufficiently raw and true to suck me in from the very beginning.

Yes the quality of image is poor but you shoot a film with a standard digital camera it's not gonna look like Star Wars and it simply adds to the intended effect. Katz doesn't look at his equipment, think he's making a documentary and shake his camera about like we've all come to expect from every movie ever made, he does a strong job with what he has to hand and there are some beautifully framed shots throughout.

Sound as you would expect from a movie dubbed mumblecore isn't the crisp clear dialogue you get from a regular movie, characters talk over the top of each other, planes fly overhead, diegetic sounds interfere occasionally but not to the point where enjoyment is hindered or you need to use subtitles.

There's a lot of humour in the film, subtle but still there, watching Gus talk to his male friend Bill can feel like you're watching a live action Beavis and Butthead but I couldn't stop laughing all the same. So many terrible anecdotes are shared between characters, sentences are started and not finished, you've known people like this and been to parties where there's nothing but boring stories, at times it's like listening to your father-in -law talk about the internet but happily you can laugh in these people's faces. It's quite cathartic in that sense. And this is quite a different party to the one's we're used to seeing in American Pie and films of that sort. It's definitely closer to what I've experienced.

The character development is also small but then the story takes place over just a few days and I'm sure we've all complained at implausible character development in Hollywood film so this makes sense but what it does do is provide some wonderful moments with Gus trying to talk over his internal changes with Bill and a truly sweet ending to the film.

Overall despite knowing not all of you will enjoy I can't recommend this film enough. It's not perfect but it is enjoyable. I'm very much looking forward to Katz's followup Quiet City now. blahblahblahgay.blogspot

So there's four girls on holiday. All of them attractive in one way or another, spending most of their time in bikinis and getting drunk. They pass the time casually, not much happens. End of first half. They take some kind of drug (I assume to be acid,) they share the surreal nightmare trip. Something bad happens, one of them will not be going home, ever, they react to it in varying ways.

I couldn't help but enjoy the movie, they looked like they enjoyed themselves making it and that sense of fun comes across when watching. The dialogue is so real as we are treated to awkward conversations between people who have not much in common except shared college experiences and wonderfully natural lines such as "oh my god, I bought wigs," "fantastic, tell me more," "they're blonde" which made me giggle at the audacity of the film maker. The uncomfortable silences between the girls are even more realistic and true, it is these gaps in dialogue that accentuate what the movie is; a fun yet uncomfortable film about people and the way they relate to each other.

The cinematography from Daryl Pitman is superb, not just for a low budget film but for a film full stop, he uses vivid colours, a locked camera and a clean crisp use of light to highlight the overall feel of fresh playfulness and a tension that's slow to build to barely a simmer.

The music and sound design has gotten a lot of play, and rightly so, it is sufficiently hip when required and noticeably helps add to the sense of impending dread after one of the girls remarks that "things are only going to get worse." Whilst the idea of four lesbian/bi-sexual girls drinking and having fun would ordinarily play in to male fantasies without even trying, I left Vacation! massively impressed with Zach Clark's direction and his restraint. The film studies concept of the camera gaze as male is largely thrown out of the window here as at no point did I get the sense that any of the proceedings were being eroticised, or the characters shown in an overtly sexual manner. Even the brief nudity and sexual behaviour is filmed so matter of factly that claims of misogyny would be flimsy at best.

Overall this is no Gregg Arraki, there's less plot, but it is a fun and impressive piece of low budget independent non-genre film making worth watching. blahblahblahgay.blogspot