peopeomoxmox

When reading the novels by Alexandre Dumas as a twelve year old kid, the impression I got from The Three Musketeers was completely different from what I had seen on the movies. Where the books had been quite dark, the white screen presented comedies and "jolly old chap" sentiments, the only exception being the Richard Lester excellent versions of 1973/74 (although made with love and humor, it was not even close to being reduced to a "d'Artagnan and the Merry Olde Musketeers" level...). With this new French movies (two parts, just like Lester's) I can really recognize the Dumas spirit. I can not say that this version is superior in terms of corresponding better with the books from a word-by-word perspective, but the over all impression certainly is. Some people might disapprove with Emanuelle Béart's interpretation of Milady, but I think this is where the Dumas' feeling really shines through... Béart makes Milady not only evil, but diabolic.

I first saw this movie about 18 years ago and found it below average. The main reason for viewing it was may admiration for Gene Wilder after the early Mel Brooks movies... Gene Wilders appearances in The Producers, Blazing Saddles, Young Frankenstein and, not to forget although not from Mel Brooks, Silver Streak are rightfully and indisputably regarded as masterpieces by now. Compared to these highlights, I actually found The Woman in Red slightly dull.

Watching it on Cable-TV yesterday, i.e. January 2006, I got a completely different impression. I don't know if the difference is just me being 20 years older and more tuned-in with the main character, but now I experienced a warm, enjoyable movie filled with a mild madness I found most appealing. The spirit of the early 80's is very evident, this is not a timeless movie. Nevertheless, I find it more up-to-date with human emotions and behavior than most contemporary attempts in the "daily life comedy" genre.

Finally, if you - just like me - was disappointed by this one twenty years ago, give another try!