kbotfilm

I recently watched the film, Careful, by Guy Maddin on television and found it to be very interesting indeed. The person introducing the film called Maddin a Canadian David Lynch and while both directors do have a certain flair for the unusual, I believe Lynch to be a surrealist while Maddin's style to be something else entirely. Granted, Careful is the only film of Maddin's I have seen except for excerpts and press for The Saddest Music in the World, but his style, at least in this film, is one of sentimentality and homage. I have seen plenty of German Expressionist films and Careful would seem to fit right into that mold. I myself have often toyed with the idea of producing a film in the Expressionist style if only for the exercise of it. Maddin has produced an Expressionist film in the year 1992 which flawlessly mimics the films of Ufa, Wiene, Murnau, and Lang from the early 20th century. Any viewer, even those versed in early Expressionism, who would happen across this film without any context would be forgiven for mistaking it to be an actual 80-year-old film, so true is Maddin's style, so exacting is his pacing. Full frame color tinting, sound stage shooting, post-produced soundtrack, rigid acting style, and obsolete directorial choices, combine to provide the viewer with a disturbing portrait of repression, duty, and mountain goats. This film is incredible!