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jackasstrange's profile image

jackasstrange

Joined Jul 2013
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Ratings862

jackasstrange's rating
Beetlejuice
7.54
Beetlejuice
Platoon
8.17
Platoon
Deux durs à cuire
6.13
Deux durs à cuire
Le Voleur de bicyclette
8.210
Le Voleur de bicyclette
Le Monde fantastique d'Oz
6.35
Le Monde fantastique d'Oz
Woyzeck
7.07
Woyzeck
The Hit Girls
7.16
The Hit Girls
Les Sentiers de la gloire
8.48
Les Sentiers de la gloire
Nosferatu, fantôme de la nuit
7.48
Nosferatu, fantôme de la nuit
Network : Main basse sur la TV
8.19
Network : Main basse sur la TV
Arrêt d'autobus
6.37
Arrêt d'autobus
Et Dieu... créa la femme
6.34
Et Dieu... créa la femme
Inception
8.810
Inception
L'avventura
7.710
L'avventura
Umberto D.
8.210
Umberto D.
Léon
8.59
Léon
Lola, une femme allemande
7.48
Lola, une femme allemande
Orgueil et préjugés
7.87
Orgueil et préjugés
Les herbes folles
6.28
Les herbes folles
(500) jours ensemble
7.67
(500) jours ensemble
Snowpiercer : Le Transperceneige
7.18
Snowpiercer : Le Transperceneige
The Grand Budapest hotel
8.110
The Grand Budapest hotel
Le stratège
7.68
Le stratège
L'Apprenti sorcier
6.15
L'Apprenti sorcier
Tu ne tueras point
8.010
Tu ne tueras point

Lists1

  • Guy Pearce and Carrie-Anne Moss in Memento (2000)
    The greatest films of all times
    • 59 titles
    • Public
    • Modified May 29, 2014

Reviews242

jackasstrange's rating
Arrêt d'autobus

Arrêt d'autobus

6.3
7
  • Aug 1, 2014
  • The best film starring Marilyn Monroe ever made!

    Et Dieu... créa la femme

    Et Dieu... créa la femme

    6.3
    4
  • Aug 1, 2014
  • Awful, awful, awful.

    Is that supposed to be a joke?! What an awful film. 

    *Extremely sexist and absolutely nonsense.* 

    I mean, Brigitte Bardot's is only there to show her legs and semi-nude body _ of course, she's stunning. But why exploit her in such an outrageous and blatant manner? There is no character development whatsoever, we simply get to see a few caricatures; stereotyped characters popping out of nowhere while the leads_"also stereotypes, the 'whore' horny wife married to the 'typical' husband who loves his wife but needs to defend his honor_" and the couple is either *beep* or talking nonsense. There is also a background story between the husband and a bald old rich man who wants to buy his supposedly 'valuable' lands, story which is left unsolved at the end. Is really a miserable, nonsense screenplay. 

    *More nonsense...* 

    Also, why Bardot's character was shooting people in the street? I mean what the hell?! Probably the best example I could give of how nonsensical and moronic this film is. The ending is almost as moronic as this scene too. 

    *DESPITE being extremely screwed, the editing makes the film interesting (at times...)* 

    Yes. Is a very screwed editing work, have no doubts about it. BUT...it actually worked sometimes. In the first half of the film, there is really a nice pace -and not so many nonsense going on- and the film got even watchable at some point, and really interesting to look at DESPITE EVERYTHING. But the second half of the film is absolutely awful in that aspect. 

    *Conclusion* 

    I can firmly say there was no intention in telling a story in that film. The only thing director Roger Vadim wanted to do was show Bardot's semi-nude body, arousing the man around her. I said it. There is simply no artistic values in this film, there is no craft put in this film, there isn't even enough effort put in this film. Horrible. No matter how bad the censorship "cut" this film at the time, there is simply no excuse to why it sucks so bad.
    L'avventura

    L'avventura

    7.7
    10
  • Jul 22, 2014
  • A fantastic film that subverts the cinema's language itself.

    See all reviews

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