Rhinonice

The first challenge the 1917 cinematography team faced was the weight of the camera. The film's appearance as one long shot is actually composed of numerous tracking shots stitched together.

To be able to operate a camera for these long shots, the camera had to be lightweight. So, Deakins turned to ARRI with a request to create a lightweight camera with the performance level that they needed.

This lightweight camera was often used on one of ARRI's advanced stabilizers that allowed the operator to track, boom, and move in all the rehearsed camera directions.

Sometimes, the 1917 cinematography team had to transfer the camera from a shoulder rig and hook it onto a wire rig in one shot. This portability of the camera was key in achieving the 1917 one take look.

It's absolutely crazily brilliant. There is some kinda comic-book style, with a Dalìnian touch. A dark vision that grasp you in the guts till the end.

The movie is almost a modern Frankenstein, with a unique picture, set in an alternative parallele surreal world in the early XX century, definitely picture perfect and breathtaking.

Two hour and half... and don't even notice, it's worth-watching just for the costumes and scenography.

A tell tale that make you wonder about the human been, it's carnal elementary impulses, and it's development into an evolved, beautiful....and almost scary creature.

A one-of-a-kind, unique character is on screen like a new Columbo in a serie that's funny, cynical, and original, with an 80's style. Natasha Lyonne Is outstanding performing Charlie Cale, a determinate, wild, modern woman with a wasted cleverness and a distinctive unbelievable gift, that find herself involved in a murder at every step, and can't help but investigate. She's a lone wolf apparently living a simple life with no ambitions, that maybe with a little too much naivety got herself in trouble, and start journey across USA. Thrilling one-stand episodes that show the darkest and genuine side of America.

A Must watch.