fishermensmell

This is an excellent TV series that clearly inspired The X-Files with its secret government paranormal unit, claustrophobic atmosphere of distrust, sexual tension between the male and female leads, and clandestine testing by the military on the unfortunate public. There's even a gifted boy who becomes a pawn and potential weapon, a la Gibson Praise. Although episodic in nature, across the series there are allusions to a higher authority within government, the shadowy Omega group, and with each episode the plot thickens. It's all delivered with a sort of downtrodden gloom that only BBC Scotland can deliver and feels distinctly British, with echoes of spy thrillers and Hammer horrors resonating through the screen.

Naturally, some episodes are stronger than others as Tom Crane investigates various paranormal goings-on, but they are mostly pretty gripping and I was completely absorbed by the overarching story, ripping through the whole series in a few days. Unlike The X-Files, it is all brought to a dramatic, logical and satisfying conclusion in the final episode, with the writers also opening further doors on an even greater conspiracy. The fact that no second series was made is a huge disappointment.

An entertaining documentary that fails to really get under the skin of the subject; it's a fairly superficial overview that spends too much time covering well-worn topics (specifically The Beatles, in particular songs like 'A Day in the Life' and 'Blackbird', which have been covered to death). Rather than telling a linear story of the studio's up and downs over the decades, it jumps around to just profile a handful of big names that McCartney has access to, spending as much time discussing their general achievements as their time at Abbey Road. Other documentaries telling the stories of iconic studios, like Muscle Shoals or Sound City, managed to tease out what made the studios special: be that the time, the place or the specific technical aspects of the equipment; Mary McCartney seems to land on the Abbey Road staff being the key to its enduring success, so it's a shame they aren't better profiled. Who were these talented "boffins" who could bring the artists' ideas to life? This film feels like it only scratches the surface, delivering some facts and a few new interviews, but no great insight.

An engaging and intriguing thriller that cobbles together elements of The Castle, The Trial and others and then places Kafka in the heart of the mystery. Most of the film is shot in black and white in a German expressionist style with plenty of long shadows and awkward angles and features some excellent set design. The predominantly British cast are very enjoyable with the likes of Irons, Alec Guiness, Ian Holm, Brian Glover, Keith Allen and others putting in solid performances. The ending brings it all to a somewhat overly neat, story-driven and action-filled conclusion with a slightly sci-fi/horror element and stock dystopic, totalitarian characters and dialogue that feels rather adolescent. So, whilst the film celebrates Kafka's work, it paradoxically trivializes it by subjugating it in deference to a tonal shift and plot-driven ending that panders to audience/producer needs. Hence, it ends up scuppering its potential and feeling a bit more like 'Brazil' than a serious examination of Kafka and his works' themes. It's not apparent whether everyone involved had a clear vision of what this film is supposed to be and who it is geared towards.