DoodinLondon's reviews

It's surprising from the director of Spring Breakers to make something so different, but it's bursting with flaws despite all the creative ideas, it seems the director knew this but said 'Make it anyway!'

While the core concept and some individual sequences are enjoyable, the pacing suffers significantly from this unnecessary elongation the runtime is padded with excessively long, lingering shots that are boring, serve no narrative purpose and feel like filler just to make the footage movie length.

Or scenes that pause to flaunt their lavish effects where the movie wants to use effects just to use them.

Drags on but has a fun premise and execution overall.

I found this anime to be incredibly disturbing. The premise of people being forced to change genders and then constantly beaten by their boss is unsettling and treated with an irreverence that feels deeply inappropriate. If this scenario involved women being forced to become men, I doubt it would be as easily accepted or played for laughs.

Yet, this show treats the concept as though it's the most hilarious thing ever. Many of the positive reviews seem to overlook these issues, and I can't help but suspect that their enjoyment of the show might stem from fetishizing its premise rather than engaging with its themes critically.

It's got Kumail Nanjiani the guy's a natural. He brings this whole new layer of charm to what could've been just another talking duck. But the film? It's got its ups and downs. I found myself fast-forwarding through some of those cookie-cutter parts - you know, the typical, predictable stuff.

But, hey, there's this one bit, this real gem of a moment where the little duck gives her brother a hug. It's like, amidst all the formulaic fluff, they snuck in this beautifully genuine scene. It's heartwarming, really sticks with you. Sure, the rest of the movie might not be rewriting the animation playbook, but moments like that? The salt bae influencer looking bad guy is well thought up.

From the outset, the protagonist is as annoying as he is unappealing. Saiki, with his psychic powers, claims immunity to surprise and emotion, presenting a facade of indifference and arrogance. This detachment, however, seems inconsistent. Early in the first episode, his surprised reaction to a coffee pudding contradicts his alleged foresight, hinting at a deeper complexity or a flaw in character development.

His claim of being devoid of joy because he cannot feel sadness is equally perplexing. His monologue, intended to be emotionless, ironically comes off as one of the saddest and most downbeat dialogues, like a smart-aleck teenager in denial about his feelings. This might be relatable to some, but it's far from enjoyable to watch.

Saiki's interactions with his parents are concerning. Despite their apparent love and care, he thinks about them with disdain and insults. It makes it challenging for the audience to empathize with him.

It's not every day you see a show tackling simulation theory like this.

This episode is a philosophical playground that challenges the mind while tugging at the heartstrings. It's not just a finale; it's a thought-provoking exploration of life's intrinsic values wrapped in a narrative that's as engaging as it is profound.

Animation-wise, there are subtle call backs to the digimon movie and Dragon Ball Z

It features not just a clever storytelling technique; but a nod to the endless human desire for the unexpected amidst the expected. A reminder that the chase, the struggle, the unknown is where life really gets juicy.

The emotionally charged final scene with Flash and his mother salvages the film, tugging on your heartstrings.

While the CGI largely fails to impress, it's Sasha Calle's Supergirl that lights up the screen. Radiant and compelling, Calle offers more depth than Kal-El ever had in 'Man of Steel'. If you can endure the film's slower first half, you'll be rewarded by her stellar performance and undeniable on-screen presence.

Matthew Broderick's brief appearance as papa Flash was a delightful touch, and the film's highlights are enriched by such cameos.

The film also makes a laudable attempt to weave in various iterations of DC characters, setting the stage for what's to come in the DC Cinematic Universe.

While it may not be a masterpiece or entirely true to the Flashpoint narrative, the film serves up a balanced blend of action, coherent storytelling, humor, and emotional depth, making for an overall satisfying experience.