coolbluesound

I walk out of very few movie screenings and this movie managed to become one of those that I couldn't bear to watch any longer. As far as the awards it won goes, the ones awarded by Turkish festivals are not credible in my opinion. My only explanation for the Queens festival award was to think that somehow a layer of comedy was "gained in translation" as the subtitles helped distract attention from the horrendous performances.

At the beginning of the screening I attended, the presenter briefly talked about the history of Turkish cinema and at one point mentioned that early Turkish cinema was appropriately named "stage cinema" since many of the filmmakers and actors involved were people from the theater scene.

Ironically, this movie falls right into that category. English speakers reading subtitles may think that Turkish is a naturally loud language and attribute all the yelling in the movie to that, but observant native commentators will immediately notice that all the actors are performing with exaggerated loud voices. You could attribute this to the amateur nature of all actors, but the biggest source of "yelled-out-dialog" is the main character, played by the only professional actor in the movie. Not surprisingly his background is in theater. My guess is that in response to his loud delivery of lines, all other amateur actors raised their voices as well, hence turning the whole movie into a series of unnatural performances.

Put on top of all of this a storyline that develops at a snail's pace, you get an extremely boring movie.

I have to say I also have a personal problem with Turkish movies that depict entirely rural life with shallow uneducated characters. Ever since "Zugurt Aga", one of the best Turkish movies ever made, Turkish filmmakers seem to be not able to avoid the appeal of the rural part of the country. This is only interesting in small doses and if it is as beautifully orchestrated with excellent writing and directing as in Zugurt Aga. Most often, however, it is extremely boring and frankly somewhat embarrassing to native "urban" Turks. Rural communities make up a neglected, undereducated part of the country, and while this provides good material for comedy, it comes at a huge cost to Turkey's image.

A western audience member whose only exposure to Turkey is this movie will undoubtedly think that Turkey is like Afghanistan. I wish filmmakers would realize this and let go of their passion for the stories of the "rural man" and stay loyal to the majority of the country, who live in cities that put metropolitan areas in Europe to shame.

Despite horrible directing in jungle scenes (which are about 80% of the movie), the story of this movie could have made it OK... If it wasn't for Mel Gibson's self-righteous point in his story, highlighted by the quote in the beginning by Durant: "A great civilization is not conquered from without until it has destroyed itself from within." Here, the subtle argument that may have been unnoticed by the oblivious audience is that the Mayan civilization's demise was brought on by their wicked pagan ways and their lack of human values.

What Mel Gibson does not care to mention in the movie, however, is that whatever violence (and "evil" if you're into that sort of categorization) had common place in Mayan or any other native civilization, was completely outdone in multiples by Christian European colonists, who spared nobody in what might have been the biggest massacre that the world has ever seen, improperly labeled as "The Conquest".

What is next I wonder? Is he going to claim that the Jews had it coming in the Holocaust because of their "wickedness"? I'm giving this a 4 because of the performances and the talent that went into it, despite its horribly wrong message but I think anybody in their right mind should do better than I did and not financially support the rantings of a fundamentalist bigot.

Balans ve Manevra is a great movie about a group of people living in one of the most beautiful Aegian coast towns who, despite the serenity and the beauty of the place, just can't seem to find the "balance" that they all so desperately need in their lives no matter what "maneuver" they make. The low ratings and bad reviews are mainly due to the fact that this is not a movie that appeals to the common audience. It has a slow pace that focuses on character development instead of the story, because the characters are the story in the film and the performances across the board are simply amazing. Having seen many Turkish films in the recent recovery of the Turkish movie industry, I think I can easily say that this one has the best acting among them. Also the subtitles on the DVD are excellently translated for an English-speaking audience. I know that sounds trivial but so many Turkish movies screw this up that I think it is worth mentioning. The directing is not phenomenal and is a bit inconsistent throughout, but some scenes are really promising about Teoman's future as a filmmaker. I'm personally excited about his debut and I hope he develops and establishes his own style. He certainly did a great job of assembling an amazing cast.