fuzonn22

Seeing 1920 brings back memories of B.R chopra's Mahabharat,mainly the portion between Dronacharya and eklavya.With this film Vikram Bhatt again proves that he is a modern day eklavya to the Ramsay brothers who act as his multiple dronacharyas.From the screech in the opening scene (which takes place in a jungle set where the fog machine naturally went on an overdrive) to the hero(a beefy Aftab with an even beefier stubble) strapping a Om printed cloth onto his hand and grabbing the the collar of the evil spirit,Bhatt gives a proper shraddhanjali to the fathers of the Indian horror genre.The film is replete with innumerable clichés from horrific close ups,a homeless villager who can see spirits,secondary characters who get murdered one by one to some forgettable love scenes,but just when it seems that the film is going to sink like the titanic halfway through the runtime,it picks up steam,some interesting back stories are shown and ultimately it hurtles towards a memorable climax.The climax is full of spine chilling moments,the actress Tia bajpai makes up for her careless acting in the 1st half by delivering some gruesome moments with great panache.Ultimately on seeing 1920,you are left with the feeling of savoring a biriyani from a roadside stall,your stomach churns a few time,you have to gulp a few extra glasses of water but ultimately you would be left craving for more.

My name is "HUMANITY",could have been the title of this film.Breaking down complex emotions like fundamentalism,racism and terrorism(if we can call it one)into simpler ones like caring,feeling,hating and most of them all loving.This forms the crux(backbone) of the story.This film sends one on a journey of introspection whenever we get swayed by a particular incident and it comes in the form of wrath and fanaticism against one particular community(country,state whatever).Remember the scene in which Rizwans mother explains to him the difference between good and bad with the use of a drawing showing two persons,one with a sword and the other with a lolly pop,and asking him to find a hindu and Muslim in the picture.This scene is extremely relevant in todays trouble torn world.Karan Johar has managed to make one of the most relevant film of this time.He may be criticized for being the master of unrealistic cinema,but he is pure genius when it comes to handling sensibility and emotions.Thankyou Mr.Johar for making such a helpful film,the film may have cinematic flaws,but i would leave that job to the more distinguished film critics like Khalid Mohammed etc.