sherikat5

This is a typical Steele novel production in that two people who have undergone some sort of tragedy manage to get together despite the odds. I wouldn't call this a spoiler because anyone who has read a Steele novel knows how they ALL end. If you don't want to know much about the plot, don't keep reading.

Gilbert's character, Ophelia, is a woman of French decent who has lost her husband and son in an accident. Gilbert needs to stop doing films where she is required to have an accent because she, otherwise a good actress, cannot realistically pull off any kind of accent. Brad Johnson, also an excellent actor, is Matt, who is recovering from a rather nasty divorce. He is gentle, convincing and compelling in this role.

The two meet on the beach through her daughter, Pip, and initially, Ophelia accuses Matt of being a child molester just because he talked art with the kid. All of them become friends after this episode and then the couple falls in love.

The chemistry between the two leads is not great, even though the talent of these two people is not, in my opinion, a question. They did the best they could with a predictable plot and a script that borders on stereotypical. Two people meet, tragedy, bigger tragedy, a secret is revealed, another tragedy, and then they get together. I wish there was more to it than that, but there it is in a nutshell.

I wanted mindless entertainment, and I got it with this. In regard to the genre of romantic films, this one fails to be memorable. "A Secret Affair" with Janine Turner is far superior (not a Steele book), as are some of Steele's earlier books turned into film.

Most people have covered the great aspects of this film, but I will add my two cents into the mix and say that I picked this film up on a whim from the video store. This funny, sweet film covers a basic idea: be true to yourself, believe in love, and it will come to you.

The actors, especially the highly underrated Christian Kane, really drive this film home. He acts with his eyes, and can convey a host of emotions with a glance, a nod, or a tilt of his head. Michael Weatherly's smarmy character is a fresh change from his usual heroic ones, and wow, a Maxim cover model, Estella Warren, who is more than a pretty face. I love it when I don't expect much and I get pleasantly surprised. It, unfortunately, doesn't happen that often. With this film, and with this cast, I was pleased.

What I also like is that, even though it is a newer film, the director didn't do the jostle the camera, zoom in and out crap that is so popular now. I watched fifteen minutes of "I Am Sam" and was 'car sick' from the multitude of angles, jostling, bouncing and zooming. I never have watched it all.

The Special Features part notes that the film is Independent, and low budget. This is proof positive that spending millions on the special effects and the big name actors doesn't net you a winner. I haven't seen anything in a long time I enjoyed so much.

One more thing: Note the Jeana character's favorite actor is Walter Matthau, the father of this film's director.