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kmthomas-1

Joined Apr 2003
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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kmthomas-1's rating
Ghosts of Mars

Ghosts of Mars

4.9
2
  • Sep 3, 2005
  • Is John Carpenter Homeless Yet?

    Spider-Man 2

    Spider-Man 2

    7.5
    9
  • Nov 27, 2004
  • Didn't think Raimi could pull it off

    Artistically, the first SpiderMan was a failure. It was everything wrong with big budget Hollywood flicks--horrible, soap opera acting with ignorant, mind-numbing scripts that have so many loop holes in their logic as to make any fanboy pray for an aneurism. This movie, amazingly, was far better than its predecessor.

    In terms of where it started, Spiderman2 is easily the best sequel of all time! I say that simply because, while Godfather 2 was excellent, so was The Godfather. Spiderman 2 is excellent, but SpiderMan was crap. The level of improvement from original to sequel is astonishing.

    I'm not sure I believe Raimi directed this film, though. He's never done anything to prove (IMHO)he had any talent for non-camp material, but somehow he pulled this one off. Anyhow, most fanboys were thankful for the greatest improvement of all: less Willem Dafoe.
    Massacre à la tronçonneuse

    Massacre à la tronçonneuse

    6.2
    3
  • Dec 6, 2003
  • Nothing Original Here

    This movie took "The Blair Witch Project" and mixed in "The Texas Chainsaw Massacre" and created a stupid piece of crap. Just another teen horror flick that lacks all the originality, gore (for the 70s), and low-budget creepiness of either of the 2 above-mentioned movies. The 7th Heaven Girl (jessica whatever) did an okay job, but nobody shone in this movie. Nothing is standout in it, aside from Tobe Hooper's near bout with homelessness. I figure his destitution must be what convinced him to allow this thing to be made. No artistic explanation exists to support such a decision.
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