Screen_Maven
Joined Feb 2010
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Ratings153
Screen_Maven's rating
Reviews22
Screen_Maven's rating
This film suffers from fundamental filmmaking issues that prevent it from reaching its potential. The director's approach feels uneven throughout - action sequences lack sophistication and are staged more like children's entertainment than serious cinema.
The script is particularly weak, with stilted dialogue that never sounds natural. The score attempts to compensate for these shortcomings but ends up being counterproductive - the heavy use of percussion and bass feels overblown and juvenile, drawing attention to the film's problems rather than masking them.
The biggest issue comes during the light store sequences, which should be pivotal moments but instead drag painfully. The pacing grinds to a halt while characters engage in awkward self-reflection that comes across as preachy rather than meaningful. The performances in these scenes are particularly strained.
While not unwatchable, this is clearly the work of a director who hasn't quite found their voice yet. The film has moments that hint at something better, but too many technical and creative missteps hold it back from being truly effective. The only positive is the acting of Dany the grandson.
The script is particularly weak, with stilted dialogue that never sounds natural. The score attempts to compensate for these shortcomings but ends up being counterproductive - the heavy use of percussion and bass feels overblown and juvenile, drawing attention to the film's problems rather than masking them.
The biggest issue comes during the light store sequences, which should be pivotal moments but instead drag painfully. The pacing grinds to a halt while characters engage in awkward self-reflection that comes across as preachy rather than meaningful. The performances in these scenes are particularly strained.
While not unwatchable, this is clearly the work of a director who hasn't quite found their voice yet. The film has moments that hint at something better, but too many technical and creative missteps hold it back from being truly effective. The only positive is the acting of Dany the grandson.
My Rating: 8/10
(Critics' Rating: 3.5 and 4/10 - seriously underrated!)
This charming Italian comedy is a masterclass in how to deliver humor that actually lands with audiences. Too often, comedies fall into the trap of over-the-top, forced acting that kills the very jokes they're trying to tell. Not here. "10 Giorni con i Suoi" strikes that perfect balance between theatrical performance and genuine, relatable humor.
The direction is sharp and confident, allowing the cast to breathe life into their characters without resorting to caricature. The performances feel authentic even while maintaining that essential comedic timing - a difficult balance that this film pulls off beautifully. Every actor seems to understand exactly what kind of movie they're in, and they commit to it completely.
Visually, the film is a treat. The locations are perfectly scouted, creating a backdrop that feels both cinematic and lived-in. The editing is seamless, with each scene flowing naturally into the next. When all these elements - direction, performance, cinematography, and editing - work together this harmoniously, you know you're watching something special.
The real test? I watched this in a packed cinema, and the laughter was constant and genuine. That's the kind of audience reaction that tells you everything you need to know about a comedy's success.
Don't let the critics fool you on this one. Professional reviewers seem to have missed the mark entirely, possibly too focused on dissecting the film to simply enjoy what it offers. Sometimes the best measure of a movie's worth isn't found in analytical reviews, but in the joy it brings to actual audiences. And this does.
Bottom line: If you're looking for a feel-good Italian comedy that knows how to make you laugh without insulting your intelligence, give "10 Giorni con i Suoi" a chance. Trust me - and trust the audiences who've already discovered this gem - it's worth your time.
This charming Italian comedy is a masterclass in how to deliver humor that actually lands with audiences. Too often, comedies fall into the trap of over-the-top, forced acting that kills the very jokes they're trying to tell. Not here. "10 Giorni con i Suoi" strikes that perfect balance between theatrical performance and genuine, relatable humor.
The direction is sharp and confident, allowing the cast to breathe life into their characters without resorting to caricature. The performances feel authentic even while maintaining that essential comedic timing - a difficult balance that this film pulls off beautifully. Every actor seems to understand exactly what kind of movie they're in, and they commit to it completely.
Visually, the film is a treat. The locations are perfectly scouted, creating a backdrop that feels both cinematic and lived-in. The editing is seamless, with each scene flowing naturally into the next. When all these elements - direction, performance, cinematography, and editing - work together this harmoniously, you know you're watching something special.
The real test? I watched this in a packed cinema, and the laughter was constant and genuine. That's the kind of audience reaction that tells you everything you need to know about a comedy's success.
Don't let the critics fool you on this one. Professional reviewers seem to have missed the mark entirely, possibly too focused on dissecting the film to simply enjoy what it offers. Sometimes the best measure of a movie's worth isn't found in analytical reviews, but in the joy it brings to actual audiences. And this does.
Bottom line: If you're looking for a feel-good Italian comedy that knows how to make you laugh without insulting your intelligence, give "10 Giorni con i Suoi" a chance. Trust me - and trust the audiences who've already discovered this gem - it's worth your time.
Neshoma combines archival footage with a fictional voiceover character who writes letters to her brother who immigrated from Amsterdam. The historical footage is cleverly edited to align with the perspective of the letter-writing narrator.
This film is perfect for anyone interested in Amsterdam's history. Many locations shown are still recognizable and exist today.
Beginning in the pre-World War II era, the film gradually shows the creeping influence of fascism. Since the narrator is of Jewish descent, viewers are aware of the impending historical events. There's a powerful moment when the letter-writer reaches a point of uncertainty about the future. Without explicitly revealing known historical events, this creates an emotionally charged experience for the viewer - it certainly was for me.
One of the film's strengths is its restrained portrayal of the war years. The decision to make an abrupt cut to the post-war period makes this movie movingly brilliant.
Seen:January 5, 2025.
This film is perfect for anyone interested in Amsterdam's history. Many locations shown are still recognizable and exist today.
Beginning in the pre-World War II era, the film gradually shows the creeping influence of fascism. Since the narrator is of Jewish descent, viewers are aware of the impending historical events. There's a powerful moment when the letter-writer reaches a point of uncertainty about the future. Without explicitly revealing known historical events, this creates an emotionally charged experience for the viewer - it certainly was for me.
One of the film's strengths is its restrained portrayal of the war years. The decision to make an abrupt cut to the post-war period makes this movie movingly brilliant.
Seen:January 5, 2025.