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sissoed's profile image

sissoed

Joined Mar 2003
Born in 1955, I (Edward H. Sisson, "sissoed") graduated high school in 1973 winning the "most promising filmmaker" award. I entered Pomona College in fall 1973 to study English Lit., Philosophy, and Film, but transferred to MIT in fall 1975 to study Architecture, graduating with a bachelor of science in 1977. I moved to Los Angeles to investigate screenwriting, but decided on live theater instead, and moved to San Francisco in Jan. 1978, where instead of becoming a playwright, I became a producer of avant-garde multi-media music theater and public art events.

Shows I produced played major houses in the SF Bay Area (Herbst, UC Berkeley Zellerbach Hall, many others) and toured to New York City (Performing Garage), Los Angeles (UCLA Royce, and what is today the Montalban at Hollywood & Vine), Washington (Kennedy Center Opera House), Philadelphia (American Music Theater Festival), Seattle, Providence, and Hartford in the US, and to Amsterdam, Brussels and smaller towns in Belgium, Bordeaux, Lille, Stuttgart (Theater der Welt 1987), and behind the Iron Curtain as chosen by the US State Dept. to Belgrade (Sava Center) Yugoslavia, and Wroclaw, Poland, in fall 1987.

I left theater in December 1987 to change careers and become a lawyer in Washington, D.C. (Georgetown, 1991 magna cum laude). I clerked on the U.S. Court of Federal Claims and then joined Arnold & Porter, a prominent Washington law firm, where I made partner effective January 2000. I took many pro bono cases while an associate and partner at Arnold & Porter, the most well-known being the first posthumous Presidential pardon, by Pres. Clinton in Feb. 1999, for the first African-American graduate of West Point, Henry O. Flipper (expelled from the Army on questionable charges of "conduct unbecoming an officer" in 1881-1882). I wrote the pardon petition for Lt. Flipper.

Most of my pro bono time went into international pro-democracy and human rights, advising the National Endowment for Democracy; I incorporated and obtained IRS tax-exemption for the U.S. Committee for Human Rights in North Korea, Open Radio for North Korea, and the Boroumand Foundation for human rights and democracy in Iran. I also represented PhD scientists who see merit in "intelligent design," which generated controversy, particularly the May 2005 "Kansas Evolution Hearings" in Topeka, where I was on-stage ready to cross-examine the "pro-Darwin" science witnesses, who instead boycotted the proceedings. Arnold & Porter approved this along with all my other pro bono proposals, recognizing that the unpopular side in intellectual debate deserves the best quality legal representation, to obtain an equal footing with the majority side in public debates. My commercial legal work was on behalf of investors in big banks who complained that a sweeping banking reform law adopted in 1989 breached hundreds of bank acquisition contracts -- a position the U.S. Supreme Court agreed with in its 1996 decision in "Winstar et al. v. United States." I left the practice of law in Jan. 2006, to return to my original goal of personal writing and research interests, some of which I have posted to amazon kindle and some to SSRN (Social Science Research Network).
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Ratings63

sissoed's rating
Little Prince
7.19
Little Prince
Le Crabe-Tambour
7.010
Le Crabe-Tambour
Dorothy and Juliet
8.810
Dorothy and Juliet
Rose
8.510
Rose
Giulia
9.310
Giulia
Come voleva la prassi
7.810
Come voleva la prassi
Un cadavre dans la bibliothèque
7.610
Un cadavre dans la bibliothèque
Fifty Ships
8.510
Fifty Ships
Quickie Nirvana
8.18
Quickie Nirvana
Il giovane Montalbano
7.910
Il giovane Montalbano
Sherlock
9.010
Sherlock
Le monde est merveilleux
6.85
Le monde est merveilleux
The Illustrious Client
8.06
The Illustrious Client
Third Girl
7.79
Third Girl
Chatterbox
6.09
Chatterbox
The Master Blackmailer
7.46
The Master Blackmailer
Heat
8.31
Heat
Inside Man : L'Homme de l'intérieur
7.61
Inside Man : L'Homme de l'intérieur
L'éventail de Lady Windermere
7.27
L'éventail de Lady Windermere
Un jour sans fin
8.010
Un jour sans fin
The Last Flight
8.08
The Last Flight
Pygmalion
7.710
Pygmalion
Retour à Brideshead
6.66
Retour à Brideshead
Mr. Monk and the Employee of the Month
8.27
Mr. Monk and the Employee of the Month
Miss Marple: The Mirror Crack'd from Side to Side
7.57
Miss Marple: The Mirror Crack'd from Side to Side

Reviews52

sissoed's rating
Little Prince

S1.E11Little Prince

Deux flics à Miami
7.1
9
  • Aug 17, 2022
  • more effective family dynamic than most

    Le Crabe-Tambour

    Le Crabe-Tambour

    7.0
    10
  • Feb 6, 2019
  • Captures the real-life emotions of real-life Navy officers

    Reviewer "gerrythree" in 2006 wrote something that I will build on, which is:

    "Behind the opening and closing credits are images of ships beached on shore, wrecks that have outlived their usefulness, just like the ship's captain. The real French frigate, the Jaureguiberry, filmed for this movie on its last voyage, gets a mention in the last credit. When you see the ship's bow plowing through high waves in the North Atlantic, you also see the sides of the ship, with rust patches on it. The ship, like some of its passengers, has reached the end of the line. Le Crabe Tambour is not about just the adventures of an errant soldier, but is an attempt to put on screen the meaning of life for career military men at the end of their careers"

    My father, a career U.S. Navy officer, commander of nuclear submarines, followed his Navy sea career by becoming U.S. Naval Attache to France - so of course he knew zFrench and French culture, and many French navy officers.

    One day years after his retirement (1984) he pulled out a VHS and said "watch this with me." The movie was "The Drummer Crab." He knew French, but I did not, and the movie has no subtitles, so he explained it to me as the movie went on.

    It was a very important film to him. When reviewer "gerrythree" said that "The Drummer Crab" "is an attempt to put on screen the meaning of life for career military men at the end of their careers," he is absolutely correct. I was never in the military, but anyone who was, and everyone who has a career-military person in his or her family - especially career Navy - will benefit by watching this film (though most Americans will need to watch it with a French-speaker).

    One thing that especially struck me was my father's response to the very end of the film, when the frigate captain brings the warship to the pier for the last time. The captain (skipper) knows that this is the last time he will ever do this. The captain gives very precise commands to rudder and engines, to bring the ship alongside the pier without a tug-boat, and - this is what matters - with the very fewest number of commands. My father explained that among ship-skippers, one of the master-arts is to know how to bring the ship to a dead-stop right on position along the pier, with the fewest number of commands. It is how they test and evaluate each other, and know who is the very best. He had done it himself many times, bringing his submarine alongside the submarine tender-ships after his two-month missile deterrent patrols. His last time was in 1972, in Holy Loch, Scotland - after which he transferred to shore duty for the rest of his career.

    I think the feeling must be like a major-league football or baseball player, who knows he is playing in his last game in the big leagues - and the game ends, and the player walks off the field for the last time, never to step-out again in uniform, ready to play. A very bitter-sweet moment - which this film captures for real-life Navy ship-captains, like my father.
    Come voleva la prassi

    S11.E2Come voleva la prassi

    Commissaire Montalbano
    7.8
    10
  • Dec 22, 2017
  • On the Nature of Judging Others

    See all reviews

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