Charlot47
Joined Nov 2009
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Charlot47's rating
Behind the opening titles we see the Arnolfini couple by van Eyck looking out at us, he a dry businessman while she is sweeter and heavily pregnant. In the mirror behind them we see four people, the two Arnolfinis from behind and beyond them two other people looking out at us. A game of light and perspective, of mystery and illusion, of appearance and reality, of symbols and split personalities, which will continue until the end credits.
We meet a contemporary couple in Belgium, he a somewhat insensitive businessman and she a pregnant picture restorer from a humble background. Her life is not going well and her widowed mother is no help (we are given hints of fixation on the father and of a primal scene). In fact, to the mystification of her husband and to her own increasing dismay, she is going to pieces: her only road to salvation will be to explain, and so exorcise, at least some of the demons that are assailing her.
We meet a contemporary couple in Belgium, he a somewhat insensitive businessman and she a pregnant picture restorer from a humble background. Her life is not going well and her widowed mother is no help (we are given hints of fixation on the father and of a primal scene). In fact, to the mystification of her husband and to her own increasing dismay, she is going to pieces: her only road to salvation will be to explain, and so exorcise, at least some of the demons that are assailing her.
Modest little comedy, ending in the traditional way with pairing off and a wedding.
The pairs are less traditional, perhaps. Michel Galabru, as a harassed executive in an Italian food company, has a delicious wife in Bernadette Lafont and a delicious secretary in Anicée Alvina. When the two women eventually meet, they hit it off perfectly and a happy ménage à trois is formed. The other male lead, Maurice Risch as the boss's nephew and titular groper, is married off compulsorily and his new household includes two Sicilian hit men assigned by his father-in-law to ensure he gets up to no new pranks.
While cheap sets and uninspired locations might suggest lack of imagination as well as budget, the music is sometimes cheerful and the four principals give good value.
The pairs are less traditional, perhaps. Michel Galabru, as a harassed executive in an Italian food company, has a delicious wife in Bernadette Lafont and a delicious secretary in Anicée Alvina. When the two women eventually meet, they hit it off perfectly and a happy ménage à trois is formed. The other male lead, Maurice Risch as the boss's nephew and titular groper, is married off compulsorily and his new household includes two Sicilian hit men assigned by his father-in-law to ensure he gets up to no new pranks.
While cheap sets and uninspired locations might suggest lack of imagination as well as budget, the music is sometimes cheerful and the four principals give good value.