NickStricharchuk

Weekend With the Babysitter : George E. Carrey stars as Jim, a well-off B-movie director who falls for his kids' babysitter. It's not hard to understand the attraction: his wife, a washed up actress-turned-junkie, is pretty damn irritating. Plus, the babysitter gives him some tips on the ridiculous script he's working on--a motorcycle gang/hippie movie. Trouble mounts while the director and babysitter are exploring free-wheeling good times (under the guise of doing movie research) when Jim's wife gets in too deep with some drug dealers by offering up her husband's fancy boat to complete a drug deal in exchange for another fix. What's funny about this film is that its predecessor, The Babysitter (1969), also stars George E. Carrey in what amounts to the same part. In this one, George E. Carrey is credited as co-writer of the film's plot. Funnier still is the babysitter, played here by Susan Romen, is named Candy, which is the namesake of the earlier film's babysitter as well, as depicted by Patricia Wymer. The most "meta" connection between the two is that, when Candy review's Jim's new script, she criticizes the dialogue, noting that "people don't talk this way." For all we know, she could have been reading the script of the earlier Babysitter film--although it's amusing to note that the Candys in both films enjoy saying "Ciao, baby!" This one is mostly entertaining, although the 1969 film is better by a thin margin.

The Teacher: An 18-year-old high school grad finds himself being seduced by his (married) teacher. Her husband is seldom around, though, so she's bored and oh-so horny. It's not hard for teacher to seduce the boy, particularly because of access: she's friends with his clueless mother for some reason. Also: what 18-year-old needs convincing to bang his smoking hot teacher? It turns out that there's trouble for them everywhere but between the sheets. It's unclear as to whether or not you're supposed to feel sorry for the boy's parents--particularly because they're so stupid. This is the kind of movie you watch when you're half-way gone, or at the very least on the way there. It's fun for what it is: tacky, campy fun.

Cindy Donna: The story of two horny half-sisters suffering suburban ennui in the 1970s. Virginal,15-year-old Cindy idolizes her older, sexually promiscuous half-sister, Donna. When she spies Donna banging her father (Donna's stepfather), Cindy decides that she's ready to experiment with her body and her sexuality, too. More sex (and tragedy) ensues. The staff that worked on this flick knew it was smarmy when they made it. It's good fun to watch, primarily because Cindy, played by Debbie Osborne, is insanely cute and spends a lot of her time in various stages of undress. The film also has a ridiculous, schmaltzy soundtrack that's half awe-filled, horn-ball sleaze and half after-school special. A highlight of the Drive-In Cult Classics collection.