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Bess941

Joined Dec 2003
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Bess941's rating
Femme

Femme

6.3
1
  • Sep 18, 2013
  • New-age nonsense

    An insipid 90-minute documentary about how women have the inner strength to make the world a better place. I absolutely agree with the premise, but so many of the women interviewed come off as silly that the film's point is almost entirely negated. The filmmakers do use clips from some intelligent and influential women. But all too many of the interviewees are over-made-up Hollywood actresses, yoga teachers and so-called life coaches with absolutely nothing intelligent to say. It doesn't help that the documentary is sprinkled with strange stock clips from the '50s or that motivational author Marianne Williamson is the film's principal voice. I'm a committed feminist, but I found this imbecilic movie painful to watch.
    Pour quelques minutes de bonheur

    Pour quelques minutes de bonheur

    6.3
    4
  • Oct 8, 2006
  • Tear-jerking melodrama

    Le sourire de Mona Lisa

    Le sourire de Mona Lisa

    6.6
    4
  • Dec 15, 2003
  • Well-intentioned but caricatured look at women's college

    The makers of "Mona Lisa Smile" undoubtedly had good intentions, but their wildly exaggerated view of life at a prestigious women's college in the 1950s has little basis in reality. Clearly the movie's view of the college is some screenwriter's fantasy (two male screenwriters, I might add).

    I'm sure there were some students at Wellesley College in the 1950s who were preoccupied with getting married. But many went on to illustrious careers (look at Madeline Albright, for instance), and the women I know who studied there in the 1950s did not have the kind of experience you see in the movie.

    The scenery is gorgeous and the acting is mostly OK (although there is some pretty wild scenery-chewing from Marcia Gay Harden and several of the young women). And Julia Roberts is, as always, a pleasure. But this movie and its depiction of smart women in the 1950s are fantasy-land, nothing more.

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