rconrad-148-748227
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rconrad-148-748227's rating
The Eye of Silence was a pleasant surprise for me. I rate it as follows: VISUAL (2 stars) - the cinematography and editing were excellent with many candid views of modern Beijing, particularly at night. STORY (1 star) - the premise of the story is good and, despite a couple of major plot holes, it is engaging enough to warrant a full viewing. strong use of flashback to explain Amelie's nature and make her more endearing to the audience. ACTING (1 star) - while the lead, Xin Wang, was completely capable of carrying the movie, the supporting characters were a bit one-dimensional and, unfortunately, comical in dramatic situations. SOUND (1 star) - sound editing was excellent. Accompanying music was appropriate for each scene and did not interfere with the storytelling. DIRECTION (1 star) - Sapolsky does fine work here manning the helm. This is not his first collaboration with Wang - I hope they continue to work together and hone their craft. I anticipate with interest the promise of future collaborations.
I am not one to submit reviews on public forums - I am merely a lover of the medium of film. However, since no review exists for this movie (for those who use IMDb critiques as viewing guidelines) I will submit mine for your perusal.
VISUAL - 2 stars. Cinematography is first-rate, the director and cinematographer having composed many of the shots as paintings, especially in the 1664 and 1883 acts. The opening sequences are Gothic horror, the romantic scenes lush and visually deep. You sense that great thought was involved in composing the look of each shot. Yet the camera did not intrude on the viewing, as often does with the jittery, hand-held style.
STORY - 1 1/2 stars. The story revolves around the torment Man subjects himself to by accepting temptation in the form of Woman, in this case the incarnation of Lilith, first wife of Adam (according to the Talmud - not stained by original sin, free from condemnation, not marred by suffering or death, yet without a soul). Three stories exist (1664, 1883, 1990) and each portrays well the Russian viewpoint of family, culture, myth and religion. Ironically, for me at least, the most recent story (1990) was the least engaging, perhaps since we are living in the present and have no reference point for modern society.
ACTING 2 stars. Three versions of Lilith, actresses Shepitskaya, Azarova and Stepanova each give us engaging and tempting portrayals of the "night demon." Three men overcome by temptation, Haapasalo, Kozlovsky and Serebryakov are equally believable in their roles. The supporting cast is exemplary.
SOUND - 1 1/2 stars. It is always a pleasure be engaged by a soundtrack that doesn't reek of Hollywood. I find this, more than any other aspect, can discourage me from movie viewing. The dialogue (with subtitles) was coherent, the music completely appropriate for each story, save the last. Being 1990 the accompanying music could have leaned more toward a contemporary ear.
DIRECTION - 2 stars. Wonderfully crafted. I will be the first to admit that my forays into Russian film sometimes leave me disenchanted. For me there exists a certain obtuse quality in the mythos of Russian culture and its themes. And, for me, even a few of their "classics" can run on a bit too long. Not so here. Gulf Stream Under the Iceberg was very well-paced, keeping in mind the quote at the top of this review by a character in the film. Kudos to Yevgeni Pashkevich and Company!
VISUAL - 2 stars. Cinematography is first-rate, the director and cinematographer having composed many of the shots as paintings, especially in the 1664 and 1883 acts. The opening sequences are Gothic horror, the romantic scenes lush and visually deep. You sense that great thought was involved in composing the look of each shot. Yet the camera did not intrude on the viewing, as often does with the jittery, hand-held style.
STORY - 1 1/2 stars. The story revolves around the torment Man subjects himself to by accepting temptation in the form of Woman, in this case the incarnation of Lilith, first wife of Adam (according to the Talmud - not stained by original sin, free from condemnation, not marred by suffering or death, yet without a soul). Three stories exist (1664, 1883, 1990) and each portrays well the Russian viewpoint of family, culture, myth and religion. Ironically, for me at least, the most recent story (1990) was the least engaging, perhaps since we are living in the present and have no reference point for modern society.
ACTING 2 stars. Three versions of Lilith, actresses Shepitskaya, Azarova and Stepanova each give us engaging and tempting portrayals of the "night demon." Three men overcome by temptation, Haapasalo, Kozlovsky and Serebryakov are equally believable in their roles. The supporting cast is exemplary.
SOUND - 1 1/2 stars. It is always a pleasure be engaged by a soundtrack that doesn't reek of Hollywood. I find this, more than any other aspect, can discourage me from movie viewing. The dialogue (with subtitles) was coherent, the music completely appropriate for each story, save the last. Being 1990 the accompanying music could have leaned more toward a contemporary ear.
DIRECTION - 2 stars. Wonderfully crafted. I will be the first to admit that my forays into Russian film sometimes leave me disenchanted. For me there exists a certain obtuse quality in the mythos of Russian culture and its themes. And, for me, even a few of their "classics" can run on a bit too long. Not so here. Gulf Stream Under the Iceberg was very well-paced, keeping in mind the quote at the top of this review by a character in the film. Kudos to Yevgeni Pashkevich and Company!