Jeff_Costello
Joined Aug 2003
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.
Badges2
To learn how to earn badges, go to the badges help page.
Reviews5
Jeff_Costello's rating
After Midnight in the Garden of Good and Evil, Eastwood seemed to have made less personal movies. But with Mystic River he's directed a movie reminding us that he was the guy who directed movies such as Bird, Unforgiven or the Bridges of Madison County. Mystic River is not a masterpiece but it's vintage Eastwood and it owes it to two things: the movie is shot with a real sense of what great classic filming is and the screenplay by Brian Helgeland. This screenplay develops lots of intersting themes: the transmission of evil through the links of blood and friendship, the way violence and the desire for revenge is reproducing eternally, the observation of small towns, their rumours, their boredom. The pessimism of the movie towards the part of evil there's in every human being is reminiscent of Fritz Lang. Overall, the tone is very dark but there's some funny moments, especially the cameo of Eli Wallach. But what prevents the movie from equalling Unforgiven is the interpretation of Sean Penn and Tim Robbins which look too much "trying to make an Actor's studio performance" and an uneven score. Anyway, it should have won the Best Screenplay award in Cannes rather than horrible "les Invasions Barbares". Recommended. 8,5/10
After the moving Satya and the excellent Company, this horror film by Ram Gopal Varma is a huge disappointment. Why? Because the horrific effects are not subtle enough to be efficient and it's lacking of indian specificity: Satya had the sense of melodrama, Company the mixing of genre but here the first part borrows from Ring and Sixth Sense without being as convincing. And the second part becomes then ridiculous, like a bad italian horror film made in the seventies. Okay, the movie has the Varma's touch but it's not enough in this case. Varma had tried to free himself from the contraints of Bollywood -the movie is short for an indian movie, there's no sung scenes here-, it's certainly a challenge at a local scale but for the moment Varma misses the target. I hope he'll come back to gangster movies because he's not the right man to create India's answer to Shyamalan and Nakata.