dormdrippingblood
Joined Apr 2011
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dormdrippingblood's rating
If you want to see how many times someone can yell "Carol Anne!" in 90 minutes, I guess you'd be into this. I think they set a world record for how many times the main character's name is mentioned throughout the movie.
The plot is standard sequel stuff: Carol Anne, the little girl plagued by paranormal phenomena in the first two movies, now stays with her bitchy aunt and her husband and daughter in a huge Chicago high rise building. Unfortunately for everyone, some prick counselor at her new school has been putting her under hypnosis to deal with the events of her past (he believes she has the power to produce mass hallucinations and is a manipulative liar despite witnessing paranormal activity in her presence--smart man). This therapy apparently opens her up and leaves her vulnerable to Kane, the preacher that wants her to lead them to the other side. Kane shows up in mirrors and other reflective surfaces (like puddles) and uses them to attack.
I've never seen so many mirrors in one movie. Even Carol Anne's bedroom walls are just big mirrors (I guess she hasn't hit that self-conscious stage yet). The hallways are mirrored. The elevators--mirrored. The poor girl has to go to the parking garage just to get away from all of the damn mirrors and it still doesn't end well for her.
There is some mildly entertaining subplot involving Lara Flynn Boyle's character, Donna, and her love interest with really bad '80s hair sneaking their friends into the building's pool after-hours. If you enjoy watching bad '80s fashion, you'll love these guys.
Once Kane starts to attack, Tangina, the short lady with the grating voice, comes back to help Carol Anne and her new family.
The movie manages to be pretty creepy by utilizing its inspired location--the building is often genuinely menacing. The mirror effects make up for some pretty corny dialogue and the characters' tendency to yell "Carol Anne!" every other minute.
Could have been much better if the script was worked on, but as-is, it's just a formulaic sequel with some average acting. Entertaining enough for a watch if you're not expecting anything close to the original.
The plot is standard sequel stuff: Carol Anne, the little girl plagued by paranormal phenomena in the first two movies, now stays with her bitchy aunt and her husband and daughter in a huge Chicago high rise building. Unfortunately for everyone, some prick counselor at her new school has been putting her under hypnosis to deal with the events of her past (he believes she has the power to produce mass hallucinations and is a manipulative liar despite witnessing paranormal activity in her presence--smart man). This therapy apparently opens her up and leaves her vulnerable to Kane, the preacher that wants her to lead them to the other side. Kane shows up in mirrors and other reflective surfaces (like puddles) and uses them to attack.
I've never seen so many mirrors in one movie. Even Carol Anne's bedroom walls are just big mirrors (I guess she hasn't hit that self-conscious stage yet). The hallways are mirrored. The elevators--mirrored. The poor girl has to go to the parking garage just to get away from all of the damn mirrors and it still doesn't end well for her.
There is some mildly entertaining subplot involving Lara Flynn Boyle's character, Donna, and her love interest with really bad '80s hair sneaking their friends into the building's pool after-hours. If you enjoy watching bad '80s fashion, you'll love these guys.
Once Kane starts to attack, Tangina, the short lady with the grating voice, comes back to help Carol Anne and her new family.
The movie manages to be pretty creepy by utilizing its inspired location--the building is often genuinely menacing. The mirror effects make up for some pretty corny dialogue and the characters' tendency to yell "Carol Anne!" every other minute.
Could have been much better if the script was worked on, but as-is, it's just a formulaic sequel with some average acting. Entertaining enough for a watch if you're not expecting anything close to the original.