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Yasuaki Nakajima has done a masterful job of creating a knockout film from obviously limited resources, using a brilliantly executed sound design in place of dialogue and a set of locations that are perfect for his story line. His own acting in the film is also first-rate and I especially liked his scenes with the woman, as well as the excellent opening in which he emerges through a heavy metal door into the moaning wind of some earth-shattering disaster. Rather than spell out what has created the apocalypse, Nakajima wisely treats his film as an allegory -- e.g. if this were the aftermath of a nuclear bomb, wouldn't the survivors become ill with radiation poisoning? The film has added relevance at a time when some world leaders once again seem hell-bent on making war, ignoring its historical consequences. Congratulations on a terrific job.