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robtclements

Joined Jul 2003
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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robtclements's rating
Riverworld, le fleuve de l'éternité

Riverworld, le fleuve de l'éternité

4.9
1
  • Aug 14, 2010
  • Sod the books, let's just use the title on our film

    Another Syfy channel abomination. Why do they keep making films when they have no feel - or respect - for the genre? I wonder why they didn't put a giant boa in the film & call it Boa vs Riverboat. Maybe they wanted to but thought that it would cheapen the product. Phillip Jose Farmer's Riverworld books (starting with To your scattered bodies go, which this thing palimpsests) are not flawless; but they had stories which made made sense & exotic character details which entertained. They - he - didn't deserve this travesty. It isn't a film: it's a cheat sheet of the least interesting bits mangled through a malfunctioning food processor. & to think that Robert Hewitt Wolfe once wrote some of the best ST:TNG & DS9 episodes. He must'ave had some great EPs at Paramount keeping him in line
    Lady Be Good

    S1.E16Lady Be Good

    La loi est la loi
    7.4
    8
  • Apr 27, 2006
  • What on earth has happened to Kira Nerys's nose?

    Themroc

    Themroc

    6.9
    10
  • Aug 16, 2003
  • Anarchist assault

    In a time when blind respect for anyone with the arrogance to call themselves an authority has reached plague proportions, we need to rediscover Claude Faraldo's anarchist assault Themroc as a matter of extreme urgency. Whether as a surrealistic revenge fantasy that makes Dirty Harry look like Kindergarden Cop or simply as one of the funniest films ever made, the film takes nothing seriously (least of all itself) as it sets out to outrage every convention of decent law abiding filmmaking ever unwritten. It's hard to choose just one pristine moment to symbolise this work - peraps the gendarme's blind pride in the stupidity of his uniform just before he becomes Themroc's latest meal; or possibly Michel Piccoli's curious assistance in his own death as his cave family are carefully walled in - but the work is blistering in its uncompromising joyous anti-logic. Commercial traditionalists like Bunuel may have made newer - even angrier - statements; but noone has ever revelled in their own extremism than Faraldo. The sooner it turns up on DVD, the better.

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