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jackspinozashaw

Joined Dec 2010
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We're still working on updating some profile features. To see the badges, ratings breakdowns, and polls for this profile, please go to the previous version.

Reviews5

jackspinozashaw's rating
Angry Boys

Angry Boys

7.7
10
  • Aug 13, 2011
  • worth sticking with: emotional satisfaction

    After initial disappointment I found this series to hit something above the normal. As the stories developed I realised I was not watching Lilley but watching entirely authentic characters. He is a great actor, writer and commenter on society. The characters are like from a modern Ibsen play; good characters but not necessarily of good character. As the narratives slowly piece together (and it is a very gradual process) something emerged for me that was close to the sublime; a humanity that is more important than the comedic values, a sincerity that is more valuable than the dramatic qualities and a genuine compassion for the characters. I am so happy I stayed with it and watched the series in it's entirety. The emotional gratification in the latter episodes had me overwhelmed at times.
    Container

    Container

    4.8
    10
  • May 19, 2011
  • dual

    it's like a sound piece over images of video performance. there's a self depreciating dramatic monologue pouring out abstract, pain-of-existence stuff and a rotund man and a pretty lady doing performance art. I love it, it is like a bible to me. I love him bearing her mass, I love her putting a doll in her boot. I saw this in an audience of three at Edinburgh Film Festival and one guy walked out. It is not a film for those who like traditional, normative narratives. I like David Lynch. Moodysson creates a psychological feeling in this film similar to some of the abstract monologues found throughout Lynch films or similar to Harmony Korine perhaps.
    More Things That Happened

    More Things That Happened

    7.0
    10
  • Feb 24, 2011
  • reality/fantasy

    this is just brilliant to me. I love the parallels that Lynch made in his past three films of placing reality directly next to fantasy pointing at the truths in fantasy. He furthered these juxtapositions by placing scenes next to scenes with minimal logical correspondence in Inland Empire creating a narrative with a unique logic and form. Now we see deleted scenes of fantastic monologues, dialogues and images edited together to make a piece with fragile, psychological emotions at the forefront and demonstrative reason in the basement. It is hard to watch without linking it with what I know from Inland Empire but I did try to watch it as a stand alone film.
    See all reviews

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