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I am no big fan of shorts, and don't go out of my way to see them. I sit through them if I must prior to a feature. That said, SEVDA MEANS LOVE is definitely an exception. In 14 minutes, the film manages to relay to the viewer all the impact, meaning and statements of a full length feature. It tells just as well a non-linear love story from start to finish. The plot is actually quite common: a cliché romance with stereotypical characters with soap opera elements, over acting and other excesses. However, all these are intentional. Perhaps, it's due to these exaggerations that so much can be achieved in such little time. At the end, they yield an unexpectedly great result.

This is one of the handful of movies directed by the very multi faceted and prolific Argentine artist/producer Sergio Renán. He's been director of the world class Colon Theater (the finest opera house in Latin America), actor, screenwriter, and a director/producer of virtually all forms of the scenic arts. This is his most ambitious screen work since his debut film "La Tregua" (1974), the first Oscar-nominated Argentine film (if not the first in Spanish) in the Best Foreign Language film category. This happened 23 years prior to the release of this film, during which time Renán was involved in dozens of projects, and survived an almost fatal disease.

His story is on the DVD version, by the way, in a 15 or 20 minute recent (2003) interview. Adapting this respected Argentine novel was a major challenge for Renán in the years preceding this film's release. Even after its premiere, it was edited twice; 15 minutes were cut for general release in Argentina, and the DVD version is another 7 minutes shorter, at 113 minutes.

The bustling Buenos Aires of the 20s and early 30s is brilliantly recreated; this, no doubt, a result of the director's expertise in the scenic arts, costumes, and attention to details. The actors are all top of the line Argentine actors, with Spanish great Fernando Fernán Gómez in a small but memorable role.

While the film perhaps does not transmit the full message of the book, nor is it as interesting, it's an adequate adaptation. Its excellent visuals and performances somehow make up for other imperfections. The editing of the picture, down to less than two hours in length, also adds to the "view - ability" of the picture. It's all in all a film which shouldn't be missed by those interested in Argentina, its history, literature, and cinema. Other viewers may not be very excited, though as I said, its visuals, plot, and pace make it palatable for all audiences. It's definitely not the interminable claustrophobic "art film." It's worth a couple of hours of your time.

Yes, this is a Taiwanese "art film"; and it does explore an old and worn theme - coming of age in high school. However, it does so in a tender, unusual way. Additionally, it tells a teen lesbian awakening, still now quite daring material for film from that part of the world. But, it is a sweet film, which really does not come off as being neither artsy nor gay. The characters are common people, yet sensitive and well developed. They come across as average, normal people one can relate to. In short, this is a little gem: simple, very believable, well told, leaving one full of good feelings at the end.