gonzo931
Joined Sep 2006
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I just saw this film the very next day it premiered here in Mexico, even Diego Luna was there, and I got to ask him some questions and congratulate him for his work, which is superb, because it's an incredibly great directing work by Diego, especially being his first time in the director's seat. The film has everything a great documentary can have: Brilliant editing, great and very characteristic Mexican music, the people he interviewed was greatly chosen, they range from journalists, Chavez' family, the great Mexican writer, José Agustín, to box promoters, even the former president and most famous Mexican political villain, Carlos Salinas de Gortari makes an appearance, and of course, there's the appearance of Chavez himself. All of the Mexican people interviewed in the film, fit in the archetype of Mexican boxers, politicians, etc. and they are often hilarious, just like we Mexicans tend to be. The film as a whole, is a great portrayal of Mexico through Julio César Chávez, the greatest boxer the world has known. I highly recommend this film to anyone who likes the documentary genre, the only regrettable aspect about this film is the fact that it's a bit short, but it's most definitely worth while, since it will make you understand this great man's life, it will make you laugh quite often, and remember (if you're Mexican) those golden years in which we thought the country just couldn't be better.
Although Lolo, tries to be a sensational movie about poverty and its effects on the people who suffer it, such as crime, violence, coldness, and disinterest, but also love, mercy, and sacrifice, unfortunately, it just stays as a good movie due to the time in which it was made. Athié's work is pretty good, unfortunately, he made his film in a time in which the influence of the terrible quality Mexican films of the 70's and 80's was still beating, one can tell by the disastrous musical score and the incredibly old camera format, which is also due to the fact that there wasn't any kind of support for cinema; but still, Lolo is pretty well written and amazingly well acted, Roberto Sosa, is as always perfect in his role of a poor young man caught in between the pressures of a life of misery and a cruel society that will judge and punish him after making the mistake of fighting for survival in such a way that he uses crime as a way to escape his poverty; Lucha Villa, I don't think I need to say, and the same goes for Damián Alcázar and Alonso Echánove who make a great support cast that represents a society full of disinterest, coldness, and even cruelty. Lolo is overall a pretty decent film, but it's not meant to be seen by just anyone, it's a film that only true cinema lovers will enjoy.