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The Motorcycle Diaries does a great job of sketching out the character of Ernesto Guevara de la Serna, without any pandering to our knowledge of who he will become. There are no cheap shots and only one 'Che' joke-to explain the origin of the nickname, which is a play on the Argentinian accent. It's a deeply felt examination of the events that inspired the development of a political consciousness, with only a few touches of the hagiography that has developed around 'el Che' and those not until late in the film. Gael Garcia Bernal is completely believable and very human in the role, and there's real chemistry between him and Rodrigo de la Serna (any relation?) who plays his friend Granado, leading to a lot of funny moments-important, as ther are many stretches of the movie where it is just them and the scenery. The cinematography is truly gorgeous, and reminded me how little of the South American landscape we ever see on film in the U.S. The cinematographer has pulled off a major feat in shooting a period film in slightly grainy, sometimes shaky hand-held. No crane shots or sepia tinting here-the film quality immerses you in Guevara and Granado's experiences and makes them feel very immediate, without sacrificing any sense of history. A film like this is long overdue, and it deserves wide distribution. While the plot revolves around Che's awakening to the social struggles of South America (which are ongoing) there is a rich sense of place, and people, and beauty here. It seems to me that this is the first South American film in a few years that is not a world-weary documentary about social or political problems (and U.S. involvement in them), to open in the U.S. market. It's about the life of Che, yes, but it doesn't forget the people and problems that lead him into political activity, and will hopefully inspire viewers to pay more attention to what is going on around them, not only in Buenos Aires, Cuzco, Havana or Chiapas, but right next door.

This film version of one of the Arthurian legends is badly done, with cheesy special affects, stagey acting and a green knight with an enormous green-tinted wig and false beard that must be seen to be believed. All I can say is that the members of Monty Python MUST have seen this before they sat down to write The Holy Grail (Gawain was released in England 2 years prior), and decided to make fun of it.

I saw human traffic when it was released in Paris last spring with my tight group of party friends. It's not a stellar piece of film-making...but it's funny, fastpaced and has a lot of truth about going out in it. Totally captures the energy of getting ready, going out, the electricity that hits at the height of the night on a packed dance floor. We all related to bits of it.

After moving back stateside, I rented the film with some friends and found that Miramax had CUT THE FILM!!! There are whole scenes, parts of scenes and characters missing from the American release. They also changed jokes, presumably because Americans wouldn't understand the "Brit" humor. This kind of thing drives me absolutely bonkers, and prevented me from enjoying the film half as much.

One particular missing scene takes place at the club, between two secondary characters... where they go through the "It's not the way it used to be!" whinge-fest that's become so common among older clubbers. Why is that scene missing from the American release!!? It's something party-goers around the globe can relate to, I can't tell you how many times I've heard this sort of old-school-purist drivel!! :) It's also one of the film's funnier moments.

So be forewarned...the American film is not the same as the version that's available in Europe and the UK; BUT it's still definitely worth seeing.